Books in Translation

Rabbit Island – Elvira Navarro

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Taking little delight in the absurd, Navarro plunges into the despair, horror, and alienation of a society in steady retreat before the very irrational forces it aims to suppress.

Zabor, or the Psalms – Kamel Daoud

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One could say that writing is a small act of rebellion against death.

A Strange Woman – Leylâ Erbil

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A Strange Woman tells of a woman’s love affair with life, though it is a life that existed before her and will exist long after.

The Copenhagen Trilogy – Tove Ditlevsen

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Critics reading Tove Ditlevsen’s work will dutifully make reference to her working-class roots, but seem unwilling to consider what impact these experiences might have had on her as a young writer.

Mona – Pola Oloixarac

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Festivals turn writers into characters, Mona explains. Writers arrive as the creator of possibilities and worlds, but they depart as puppets, functionaries for a plot. Or worse, as flora and fauna for the landscape.

An Inventory of Losses – Judith Schalansky

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If there is evidence that everything lost, burnt, drowned and gone extinct can eventually be researched, rediscovered and recovered, don’t we lose the skill and courage to fight the unfathomably roaring monsters that gulp up part of our worlds?

At the Edge of the Night – Friedo Lampe

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The Hesperus Press edition of Friedo Lampe’s AT THE EDGE OF THE NIGHT raises the possibility that a lost German classic could well be overshadowed by its author’s extraordinary life story.

The Society of Reluctant Dreamers – José Eduardo Agualusa

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José Eduardo Agualusa takes on the herculean task of depersonalizing dreams in order to shed light on his home country’s simmering revolution.

Count Luna – Alexander Lernet-Holenia

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The novel takes the study of the conscience that forms the basis of Eichmann in Jerusalem and mixes it with the blinding guilt of “A Tell-Tale Heart.”

Three Ugly Duckling Presse Chapbooks

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Alejandro Albarrán Polanco and Agustín Guambo display a radical political sensibility refracted through shards of shattered subjectivities, while Enriqueta Lunez’s fierce feminist lyricism offers an unsentimental portrayal of generational conflict among indigenous women.