Dear Outsiders – Jenny Sadre-Orafai
Who lives in the beach town we visit every summer? Who works in, walks by, or rages at the souvenir shops?
Elixir reminds us of the fullness of life, of melody, never a straight line, but rather a round, a chorus joyfully repeated again and again.
Saudade for a Breaking Heart – Kristen Lucia Renzi
We cannot fully know saudade until our bodies experience pleasure’s phantom pangs.
No Way in the Skin without This Bloody Embrace – Jean D’Amérique
. . . like something out of Ŝvankmajer: a tongue torn out and dragging itself along in search of contact and reintegration, streaking blood in its wake.
Singer Distance – Ethan Chatagnier
Having self-elected into the contact genre, Chatagnier redirects Singer Distance away from the alien essence of this story form, suggesting that earthly issues more deserve our attention.
Baron Bagge – Alexander Lernet-Holenia
It’s unclear (even to Bagge himself) if he is in a state of post-traumatic shock or whether he has even survived the battle.
The Speak Angel Series – Alice Notley
Published this year by Fonograf Editions alongside a collection of reissues entitled Early Works, this volume continues, and perhaps culminates, the visionary-epic line of Notley’s work.
No matter how profoundly the rapist’s actions affected the victim, the man himself, separated from that act, is nothing. Or not much, anyway. A boring man in a boring ranch house.
Love Me Tender – Constance Debré
Love Me Tender channels the performative masculinity of Paul B. Preciado’s Testo Junkie and the restless thirst of Jane DeLynn’s lesbian cruising novel Don Juan in the Village. In other words, Love Me Tender is hot.
The Bulgarian Psychiatrist – Thomas McGonigle
The murderous logic and hypocrisy of communist rule in Bulgaria . . . serves as a haunting backdrop to this dense and caustic piece of fiction that treads along unsettling nihilist pathways.
She Is Haunted mixes elements of melodrama—the mother-daughter psychodrama above all—into a traumatic temporality in which the past is never-ending.
The Moon Over Edgar – Ian Felice
This collection advocates for attention to dreams, the uncanny, the mundane, and the moon as if now is the time to devote ourselves to that possibility rather than, like Edgar, letting our life pass before us.
In its complex imbrication of queerness and heteropatriarchy, indigenous critique and colonial discourse, Pina stages the bizarre and beautiful workings of desire.
The centering of urine rejects poetry’s traditional subjects in favor of a more egalitarian common denominator.