One of these novellas is not like the other. The asymmetry, of course, is very much the point, and the contrast is inherently political. Together, the two parts ask, What ‘we’ can hold us?
Mira y Lopez’s encyclopedic interests flirt with the ready information saturation of the current moment, but his facile movement between subjects, both cerebral and intimate, honor the careful attention of authorship over hiveminded wikis.
Through witnessing the movement as an outsider while reflecting on his complex position, Leung creates a rich, dynamic inquiry into our responsibility to one another.
Here are two representations of the country: One insisting unimaginatively as to what it takes to obliterate the nuances of social difference with blunt force, and the other just trying to get by.
At some point in your life, something will fall in front of your feet that you did not expect. There’s a challenge that MAMMOTHER offers the reader: to believe, simply, in what you are about to read, and then to risk reading it.
Through Joan’s writings we see what Joan refuses to — that she has not and cannot inoculate her writing from her life; that her art and her life are symbiotic.