Debut Books

Viper Wine – Hermione Eyre

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Viper Wine whispers beyond its pages, reappearing in glossy advertisements of Elle and in strange-tasting rouged lips.

The University of Pennsylvania – Caren Beilin

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Suffused with the unwieldy body historically associated with femininity, Beilin’s work is evasive, unruly, nonsensical.

Find Me – Laura van den Berg

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Unlike other stories about the apocalypse, this book is tender.

Rewrite – Temenuga Trifonova

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Trifonova forces the reader to reassess the opinions and institutions that validate the knowledge we have both of ourselves and of others.

The Maggot People – Henning Koch

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Serious, grotesque absurdity: The Master and Margarita as written by William Burroughs, a politico-religious sci-fi thriller with talking dogs and immortal maggot people.

The Wallcreeper – Nell Zink

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David Sedaris once quipped that speaking German is like speaking English but sideways. Reading The Wallcreeper — which happens, incidentally, to be set in mostly German-speaking places — feels like reading but sideways.

The Last Projector – David James Keaton

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Everything from car accidents and vicious dog attacks to a broken penis and punches to the face are hurled at the reader without any time for rest.

McGlue – Ottessa Moshfegh

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McGlue is covered in a lush filth.

A Girl is a Half-Formed Thing – Eimear McBride

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If the prose style we encounter is initially resistant to our usual expectations, it acquires its own kind of clarity in advancing the narrative.

Consumed – David Cronenberg

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Consumed’s treatment of exotic and unusual STDs, the line between mental illness and unpleasant insight, uneasy sex, and gore is assured and well executed.