Acts of Infidelity – Lena Andersson
If the two books are so similar, why did I love WILLFUL DISREGARD so much and find ACTS OF INFIDELITY exasperating?
In Je, Nathanaël, the speaking subject, or more properly, speech, is not a question of absolute being but partial positions and orientations.
CRIMSON is a piece of literature that aims to make sense of queer experience by constructing a literary world adequate to house its complexities.
The moment I looked at the frightened animal in the corner of a dirty cage, I knew that writers and storytellers were dangerous manipulators.
Feminism for the 99%: A Manifesto – Cinzia Arruzza, Tithi Bhattacharya, and Nancy Fraser
Neoliberalism is a crappy fiction.
Love in the New Millennium – Can Xue
Without narrative restraint (like both love and time?).
[PASSING AWAY] may most adeptly assimilate the influence of those adventurous writers whose work Tom LeClair the critic has so usefully illuminated.
Breathing: Chaos and Poetry – Franco “Bifo” Berardi
There’s a great deal of chaos, very little breathing or poetry.
The heroine of MALVA is a fictional creation, and as a typical daughter, she is only too prepared to justify her father’s behavior.
The aims of the heroic age of Antarctic exploration are exposed by the writer as quests into nothingness.