Yep.
In my work, I’m trying to get inside of performance time, inside my own thinking and making and interiority.
What the feminist health movement really did was change the way that we understand evidence and experience – and actually the knowledge of the body. Individual experience can be as legitimate as scientific knowledge.
“I don’t want to let these things just glide by; I think we can learn from our current digital age through art and being in conversation with it.
“A story is whatever I say it is.”
“We love the idea of books being live, sentient beings that have desires, agendas, anger”
The idea of performing gender and “returning the gaze” was just something that was creeping into my consciousness, and these images felt like a way to work it out before I could really talk about it or make sense of it all.
I think translation is very important in revolutionary, feminist, and oppositional political activism; we live and fight in Turkey, but we have to know what is going on in other parts of the world.
In my current novels, the satyr play is interwoven with the tragedy. Seriousness and fun are intertwined, philosophy, the former queen of the sciences is one with its jester …
“I want to make it clear that ‘not caring about money’ isn’t a heroic thing, I wish I cared more about it, I could help more people if I cared more about money, I could be a hero, but instead, I like to read books.”