Freedom Sounds and Care Practices in Anti-Extractivist Mapping
Over the course of a year, Maizal collected sound recordings of the wildlife and waterflow of the Andean moorlands under threat from mining, as well as interviews with veterans of anti-mining activism from the pueblo Nangali. The result is an imaginative archive and ambitious cartographic experiment . . .
Parts of the Body in Non-Protagonist-Centered Fiction
Separating part and whole, then, is not enough to see parts of the body differently. The individual has to be sidelined, which is exactly what non-protagonist-centered fiction achieves.
In Our Times, a Space, In Our Struggles, a Future: A Vision for the Worlds to Come
Ours is a world on fire, flooded, starved, wounded, violent, and oppressive and at the same time heroic, inventive, resilient, adaptive, beautiful, and endlessly imaginative.
Vagabondage, thrill-seeking, and risk underwrite the best of these poems—and knowledge of Rees’s adventures only makes the best of his work resonate more strongly.
Ecstatic Truth in the Age of American “Truthiness”: On Werner Herzog’s The Twilight World
The triangulation of the novel and “fake news” and Werner Herzog’s whole deal signals discomfiting connections between the United States’ current flirtations with authoritarianism and certain notions of artistic freedom.
“Yet Another Dagger Pulsing Under the Rain”: Why We Need Joyce Mansour—and Surrealism
Just as this ardent, well-honed collection coaxes Mansour’s “molecules of revolt” into jewel-bright, posthumous flares, so may surrealism’s many ambient, alert, electrifying molecules flare up to reverse the annihilating currents of our present moment.
Giving Language to the Language of That Which Cannot Be Constructed
By imagining new worlds and countering Zionist mythologies that deny them their history, Palestinian poets challenge the colonial history into which they have been brutally implicated by the Israeli apartheid regime.
Lucky Over There: Meeting the Greek Translator of Breece D’J Pancake
Perhaps, without realizing it, a part of me had begun to wish Pancake’s fame had never grown beyond the depths of the library where I found him, to wish his brutal brilliance was a secret known only within the state borders.
Oblique Memories: Montserrat Roig and Literature of Forgetting
But, really, how many of us in Europe are aware of our own country’s dark histories?
The Insidious Faux-Feminism of Barbie
It wasn’t until Barbie left Barbie Land that the proverbial needle skipped for me. I didn’t watch the Barbie Movie expecting a feminist film. I never imagined the need to critique it as such. But the Barbie Movie has proclaimed itself a feminist film, and so must be critiqued in this light.