Terra Nullius – Claire G. Coleman
It should come as no surprise that Coleman, an Australian Aboriginal author of the South Coast Noongar people, is particularly poised to enliven the tropes of the science fiction contact genre.
Acts of Infidelity – Lena Andersson
If the two books are so similar, why did I love WILLFUL DISREGARD so much and find ACTS OF INFIDELITY exasperating?
In Je, Nathanaël, the speaking subject, or more properly, speech, is not a question of absolute being but partial positions and orientations.
CRIMSON is a piece of literature that aims to make sense of queer experience by constructing a literary world adequate to house its complexities.
The moment I looked at the frightened animal in the corner of a dirty cage, I knew that writers and storytellers were dangerous manipulators.
Feminism for the 99%: A Manifesto – Cinzia Arruzza, Tithi Bhattacharya, and Nancy Fraser
Neoliberalism is a crappy fiction.
Love in the New Millennium – Can Xue
Without narrative restraint (like both love and time?).
[PASSING AWAY] may most adeptly assimilate the influence of those adventurous writers whose work Tom LeClair the critic has so usefully illuminated.
Breathing: Chaos and Poetry – Franco “Bifo” Berardi
There’s a great deal of chaos, very little breathing or poetry.
The heroine of MALVA is a fictional creation, and as a typical daughter, she is only too prepared to justify her father’s behavior.