In Je, Nathanaël, the speaking subject, or more properly, speech, is not a question of absolute being but partial positions and orientations.
CRIMSON is a piece of literature that aims to make sense of queer experience by constructing a literary world adequate to house its complexities.
The moment I looked at the frightened animal in the corner of a dirty cage, I knew that writers and storytellers were dangerous manipulators.
Feminism for the 99%: A Manifesto – Cinzia Arruzza, Tithi Bhattacharya, and Nancy Fraser
Neoliberalism is a crappy fiction.
Love in the New Millennium – Can Xue
Without narrative restraint (like both love and time?).
[PASSING AWAY] may most adeptly assimilate the influence of those adventurous writers whose work Tom LeClair the critic has so usefully illuminated.
Breathing: Chaos and Poetry – Franco “Bifo” Berardi
There’s a great deal of chaos, very little breathing or poetry.
The heroine of MALVA is a fictional creation, and as a typical daughter, she is only too prepared to justify her father’s behavior.
The aims of the heroic age of Antarctic exploration are exposed by the writer as quests into nothingness.
Whitewalling: Art, Race & Protest In 3 Acts – Aruna D’Souza
WHITEWALLING: ART, RACE, & PROTEST IN 3 ACTS exposes systems that perpetuate racial oppression in the art world and pricks a bubble of white-centered consciousness with a clear message about complicity.