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Tight Little Vocal Cords – Loie Rawding

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What, then, distinguishes such a novel as TIGHT LITTLE VOCAL CORDS from the very many novels — going back to the very beginning of the form — that assimilate “other” modes of writing

Dark Satellites – Clemens Meyer

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Meyer’s revue of misfits, dreamers, guards, clerks, and cleaners are not at pains to identify with the reality they don’t feel invited to participate in — something their wild whims and delusions show us on every page.

Sarah Matthes

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Potatoes will devastate. Famously.

Adrenochrome Supplements for the Postmodern Condition

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Without any dogmatic adherence to the collection of conspiracies, QAnon followers often choose which of the individual narratives to follow within the larger collection, a build-your-own history.

Mona – Pola Oloixarac

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Festivals turn writers into characters, Mona explains. Writers arrive as the creator of possibilities and worlds, but they depart as puppets, functionaries for a plot. Or worse, as flora and fauna for the landscape.

Asylum Road – Olivia Sudjic

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Asylum Road is a gripping blend of character study and psychological thriller that reads like a macabre love letter to a generation that was told the fairy tale version of globalization only to find that it ends anything but happily.

Points of Attack – Mark de Silva

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These essays or pieces or feuilletons or Barthesian mythologies — whatever you want to call them — are the correct form for our age

Maria Kuznetsova

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Babies are definitely enemies of romcom!

Matt Mitchell

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“I would like someone to ask me whether Red Dead Redemption 2 has any influence on the creation of this book.”

Post Classic – erica kaufman

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I ask, what does epic make possible for contemporary women writers? And I read works that point me in a direction – toward a telling that shapes differently, imagines in new ways, and meets a present time.