Is that a sort of equation for inviting the imagination in — wonder + weirdness? Maybe. Maybe not. But it helps me register and engage
“I am thinking about the body a lot and all of the time. The body is where the story starts.”
It’s so hard to avoid the impulse to dazzle, like “Look at this! Aren’t you amazed by my historical knowledge?”
“It’s scary to live in a radically subjective world. Scary and also maybe more lonely.”
Perhaps this is Fate, in that our interdependence is inescapable, that we always affect each other.
“Illustrated literature hasn’t really been popular since the nineteenth century. I would like to open the discussion around that form again, to see what we can do with it.”
“Are these instances magic? Are they myths? To us, they’re just part of life.”
You have to look beyond the monster itself in order to understand what it actually means.
Within the violence of that work I find a space to explore myself, a hostile and empty space with which to reconfigure myself.
“The printer as designer, actual mechanic, person laying down the ink, and also the writer and artist is the historical model we’re looking at.”