How (Not) to Say “I Love You” with Perec
Perec’s narrative frames and the people who live in them tend to look fragmented, but it’s this incompleteness that invites pathos and attempts to piece a puzzle back together.
All Hail Aphrodite: Venus in Fur’s Media Problem
A show like VENUS IN FUR is a testament to the ways in which power has so totally infiltrated the arts experience.
Introducing: Thinking The Present
All of us at Full Stop are excited to introduce “Thinking The Present”: a new series in which our editors and contributors will respond to contemporary academic and popular nonfiction books about our world today.
Stephen Greenblatt: Theory and the Public Intellectual
THE SWERVE is a sort of wish-fulfillment with which Greenblatt has gifted his readers.
Welcome to a new year in Full Stop features. In this section, you can find high quality criticism on literature, culture and politics, updated weekly.
The Situation in American Writing: Yannick Murphy
You don’t become a writer to pay the rent. If you do make money at writing, then you’re not only a writer, you gain an extra word in your title, and you become a “lucky writer.”
The Situation in American Writing: James Boice
Books last forever — reviews don’t. Writers live forever — critics don’t.
The Situation in American Writing: Alex Shakar
People think that spirituality is about beliefs, but it isn’t. It’s about looking, as deeply as possible, into the believer. If literature has a function, for me, this approaches it.
The Situation in American Writing: Justin Taylor
I think our current economic system is a shambles and a sham. We’re all making do as best we can.
The Situation in American Writing: Geoff Dyer
When my latest book got copy edited and type-set, spelling and punctuation were fully Americanized — and it just didn’t work. I had to accept, albeit a little grudgingly, what an English writer I am.