Features

The Art of the Troll

by

When an ordered society depends on maintaining a hierarchy of images, the ability to wield this kind of ironic superposition has a concrete political power.

The End of Public Space

by

To focus simply on the immediate costs of NSA spying — deterioration of privacy, tactical inefficacy — is not enough. The destruction of the commons and the privatization of public space is an equal, if not much more serious, danger.

Where Nothing Happens: On the Henry Miller Library

by

How can the Library sustain its status as an exciting, relevant cultural institution, while remaining a refuge for the peace-seeking?

Sneering Optimism: Jesse Michaels from Operation Ivy to Whispering Bodies

by

It could be demoralizing, recalling those days from the Excel-induced ennui of my nineteenth floor desk… but Jesse Michaels had grown up into a literary young man, too, and he was still punk as fuck.

Ismail Kadare’s Toolkit: Literature and Transition

by

He was no Václav Havel, Aleksandr Solzhenitsyn or Ai Weiwei. Yet, while not explicitly taking up contrary political positions, he had a literary toolkit that allowed him to scrutinize totalitarian power.

An Infected Wound

by

In a country that continues to be the greatest purveyor of violence in the world today, three new books grapple with what our nation’s war apparatus has wrought in our names. They attempt to figure how such acts have, with an air of permanence, seized our national imagination.

Notes for an Essay on Benjamin Lytal’s A MAP OF TULSA

by

Start the actual discussion by describing just how Lytal’s book winds around the not-so-wild Midwestern world of the author’s hometown. Note that the plot, too, concerns a homecoming. (Try to avoid using commas like table salt.)

A Person to Whom Certain Things Happened

by

Rachel Kushner’s THE FLAMETHROWERS has kindled sincere discussions in our literary press about the Great American Novel, but few critics have offered an interpretation. If it’s such a great novel, then what does it tell us?

An Acolyte of the Word

by

Few writers carry language closer to the heart of their fiction than Diego Marani. In his work it assumes a central role, actually becoming character, story, and even setting.

Three Pieces of Duck Dynasty Fan Fiction to Look Into

by

Like drops of dew, these Duck Dynasty inspired pieces glisten at the window of my reading glasses, casting rainbows into the living room of my brain.