The Comedown – Rebekah Frumkin
One wonders indeed how far back we might trace the sources of a family’s anxieties, the original sins of the original fathers, a neurotic first mover.
Empty Set – Verónica Gerber Bicecci
How do you render negative space, and if you can accurately describe it, is it really negative?
The Consequences – Niña Weijers
How often can refusal be appropriated, marketed, sold and consumed by those who possibly cause it, before the only chance an earnest human has is stop making art?
One of these novellas is not like the other. The asymmetry, of course, is very much the point, and the contrast is inherently political. Together, the two parts ask, What ‘we’ can hold us?
The Book of Resting Places – Thomas Mira y Lopez
Mira y Lopez’s encyclopedic interests flirt with the ready information saturation of the current moment, but his facile movement between subjects, both cerebral and intimate, honor the careful attention of authorship over hiveminded wikis.
Infinite Ground – Martin MacInnes
This is much more than a book with multiple endings (or even multiple worlds); this is an impressive exploration of porosity.
Pretend We Are Lovely – Noley Reid
You put pounds of candy in your freezer you guess to give you a false sense of abundance?, a tip from a self-help book on unfull hearts and how to handle them.
Goddess of Democracy: an Occupy Lyric – Henry Wei Leung
Through witnessing the movement as an outsider while reflecting on his complex position, Leung creates a rich, dynamic inquiry into our responsibility to one another.
Code of the West – Sahar Mustafah
Here are two representations of the country: One insisting unimaginatively as to what it takes to obliterate the nuances of social difference with blunt force, and the other just trying to get by.
At some point in your life, something will fall in front of your feet that you did not expect. There’s a challenge that MAMMOTHER offers the reader: to believe, simply, in what you are about to read, and then to risk reading it.