Chris Bachelder

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There is no element of craft that is more important to me than tone, and I work best when I’m working with a tone that is somehow at odds with itself, or at odds with the subject matter, or both

The Numero Group: Rob Sevier and Ken Shipley

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We’ve had a manifest destiny mindset since the beginning. Our goal is to be the largest AND best independent catalog company in the world, which means making left turns at right turn only intersections.

Pool Party Trap Loop – Ben Segal

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Segal’s work stands alone in its strange, winding, sudden candor.

St. Aubyn and the Death of the Existentialist Novel

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In today’s economy, a death sentence is no longer a reason to reflect upon one’s essence but a moneymaking opportunity.

The Full Stop Quarterly Issue #2 Is Now Available

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The Full Stop Quarterly Issue #2 is an action-packed, emotionally-satisfying thrill ride.

The Story of My Teeth – Valeria Luiselli

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The wider current to which this book belongs probably cannot sustain many more publications of this type without incurring some sort of backlash.

A Brief History of Name Fuckery

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You can glance at my byline and gather who I am, who I might be—I don’t have to disclose my race to you. Nor can I avoid it, in the same way it’d be impossible for me to hide my race from you on the street.

Wrack Lariat – Heller Levinson

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In these Hinges, “How much of” acts as the pivot for each poem, there is usually one word as the particle, and a line or two as the postulate, which causes the whole piece to surge with contemplative meaning.

Unreal Loyalties in the Museum

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Old-guard museum loyalists have come to associate photography of artworks with inattention and disrespect. But that attitude is itself unfaithful to the possibilities of the museum.