Reviews

Death in Her Hands – Ottessa Moshfegh

by

The open-endedness of Vesta’s mystery fulfills itself, because as Vesta said, “The last thing anyone should do is stuff her head full of other people’s ways of doing things. That would take all the fun out.”

Michael Martrich

w/

I don’t worry whether or not my writing is innovative or experimental. I only want to be on that bookshelf, the one that’s off limits, that requires special permission to access, that has to be found and sought after from a queer distance.

The River at Night – Kevin Huizenga

by

At a time when history-altering acts take on an almost mundane insignificance, comics artist Kevin Huizenga’s THE RIVER AT NIGHT makes thought, banal and half-remembered quotidian thought, a moving drama of consciousness.

When the Whales Leave – Yuri Rytkheu

by

In this light, Chavasse’s translation is but one echo within a cavernous history, itself but a momentary iteration on its way to another.

Difficult Light – Tomás González

by

I remember my intuitive reluctance to use the word “deadline,” when I learned the word in English, it sounded hostile when someone told me for the first time: “You need to meet this deadline.” To get killed, I wondered?

Beyond the Periphery of the Skin – Silvia Federici

by

Silvia Federici’s BEYOND THE PERIPHERY OF THE SKIN is a baffling work that slides from the academically indefensible to the ethically dubious with remarkable facility.

Lethal Theater – Susannah Nevison

by

An exploration of capital punishment and the prison system in America, how incarceration is turned into a spectacle at the expense of the humans who are trying to make that of that system a grim home.

You Darling Thing – Monica Ferrell

by

As I reread the poems in Ferrell’s YOU DARLING THING in this unprecedented moment, I see her lines anew, perhaps as they have always been

Minor Detail – Adania Shibli

by

MINOR DETAIL itself is an act of subversion because it represents history told on Palestinian terms, through a Palestinian voice.

Artificial Gut Feeling – Anna Zett

by

Digital systems are not just tools or extensions of our brains, but they are parodies of us, our goals, beliefs, dreams, passions, and cognitions.