Three Ugly Duckling Presse Chapbooks
Alejandro Albarrán Polanco and Agustín Guambo display a radical political sensibility refracted through shards of shattered subjectivities, while Enriqueta Lunez’s fierce feminist lyricism offers an unsentimental portrayal of generational conflict among indigenous women.
Ctasy, -of shapes off shore – John Pætsch
CTASY, -OF SHAPES OFF SHORE, is a confrontation, each poem subverts expectations, challenging the reader’s perceptions and understandings of form.
The Fire In His Wake – Spencer Wolff
The gargantuan complexity of the human issues at the novel’s heart is a good reminder of the importance of storytelling that is honored and not coerced, believed and not picked apart.
The Diaries of Emilio Renzi: A Day in the Life – Ricardo Piglia
His diaries offer a further, and perhaps more fundamental, opportunity to see Piglia exploring his obsession with impressions, and distorted impressions, a replaying of events and conversations.
It expertly weaves its politics into a psychologically complex story that centers a character, and her desires, frustrations, and emotions, who is not commonly represented in either Colombian or international literature.
The Inland Sea – Madeleine Watts
The Inland Sea demonstrates both what realist fiction can offer, as we try harder to grapple with climate crisis, and what it can’t.
for nigh-on end of season came the apex of her woe
¡Presente!: The Politics of Presence – Diana Taylor
Arguably, much of what is beguiling in Diana Taylor’s approach lies in her refusal to be defeated by the negative dimension of critique; rather, she embraces a relationship with political failure, by focusing precisely on what such failure might produce.
F Letter: New Russian Feminist Poetry – ed. Galina Rymbu, Eugene Ostashevsky, and Ainsley Morse
Collectively, the poets in F LETTER would doubtlessly endorse Rymbu’s all too familiar battle cry: “To make revolution with the vagina. / To make freedom with oneself.”
Kerninon’s novel speaks to the anxiety of what it would mean to be disappointed — a notably millennial anxiety — and it is here that she realizes a vision for the novel.