Alena Graedon’s THE WORD EXCHANGE and Ben Marcus’ THE FLAME ALPHABET explore the traumatic capacities of language by imagining it is a virus.
Reading Tolkien’s Beowulf and Reliving My Own
Each translator must decide what sacrifices are most acceptable to make, because those sacrifices will define the translation.
Amid Midwestern megachurches and half-built subdivisions, my obsession with Bowie was gritted into a secret pearl.
The police uphold the law in the same sense that a poltergeist upholds a cabinet as it drifts menacingly through the air. Cops don’t uphold the law, they haunt it.
Immerse yourself in work and life, daily writing and editing and analyzing life until the world opens up again and offers details and ideas for the world you’re writing.
Present throughout Geoff Dyer’s ANOTHER GREAT DAY AT SEA is a desire to be subsumed totally in one subject or task, anything that will obliterate the ego and its demand for a paralyzing abundance of choices.
Babelsprech International: Capital “I”
If our life is our labor and all our interactions are poetry, then what does this mean for poetry?
The Long Game: On the Repression of Ai Weiwei and Jafar Panahi
With their artistic freedom limited, filmmaker Jafar Panahi and artist Ai Weiwei have both taken to testing the boundaries of their censorship.
Dispatches from the Labor Market
While shoveling scoops of Zen Cheddar into brown paper bags, my boss decried Orville Redenbacher and the other scions of big popcorn. It was easy to empathize with the precarious position of my employer.
Top Gun didn’t win the 1987 People’s Choice Award for its accurate representation of the fragility of human existence. The opposite, actually.