Present throughout Geoff Dyer’s ANOTHER GREAT DAY AT SEA is a desire to be subsumed totally in one subject or task, anything that will obliterate the ego and its demand for a paralyzing abundance of choices.
With their artistic freedom limited, filmmaker Jafar Panahi and artist Ai Weiwei have both taken to testing the boundaries of their censorship.
While shoveling scoops of Zen Cheddar into brown paper bags, my boss decried Orville Redenbacher and the other scions of big popcorn. It was easy to empathize with the precarious position of my employer.
Since the latest crisis in Iraq began, the twin evils of ceaseless sectarian retrenchment and unaccountable governance have been cast in stark relief. Three new books help us make sense of the past eleven years of Iraqi history.
I’m El Salvadoran to an Oaxacan, mulatto to a Haitian squinting her eyes, black to the negro curious about America’s slave past, and white to any Anglo too busy finding what they want to see there. Either I am nobody, or I am a nation.