Features

Honeychild, Fly Away Home

For a brief moment in the cemetery, I wished it wasn’t my inheritance. That this wasn’t my story.

The Indescribably Real: Epic Memoir and Barycentric Fiction

The softening of the reader’s criteria for what can be permissibly worked into the novel format, processing real life through the story-teller’s eye for structure, implicates not only our literature, but reality as we experience it.

Lesser-Known Pleasures

Nell Zink’s prose may not expand into rolling curls of unconventional syntax, but it is nonetheless difficult. Her mercilessly enjoyable prose leaves itself open to serious moral misinterpretation.

This Imaginary Half-Nothing: Time

There are dawns and noons and nightfalls, diseased interludes and riots and political turns, seasons of tumors and cures and poisons, and along with these the daily need to reproduce oneself as a living person.

The Perils of Optimism, with Zeppelins

Truth itself won’t be comforted, but there’s solace in seeing the huckster unmasked. On American optimism and THE CARP CASTLE by MacDonald Harris.

Dismantling the University

The cutting of humanities programs in favor of business and STEM degrees is backed not by the pure arithmetic of budgetary restraints but by entrenched and quixotic neoliberal ideology.

Grieving in the Time of Lulz

Knausgaard could have Instagrammed his father’s empties. Didion could have live-tweeted her late-night ambulance ride. Instead they wrote. Why do we write grief?

Mad Moon

Disaster and triumph became another set of eventualities, ones that television could help viewers practice, prepare for, and witness, at least through their screens. TV both created its audiences and informed them.

The Corpse Singing On The Radio

Scott Beauchamp writes about the first time he saw a dead body in Iraq, his experience reading the Stoics during combat, and his later turn to a philosophy capable of responding to injustice.

Soul Proprietors

The Robin Thicke verdict renders the 2013 song theft, and thereby the two songs the same. It’s the latest installment in the American government’s recent series of ontological rearrangements.