by Semyon Khokhlov

The Human Situation in the Work of Alexander Kluge

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All of Kluge’s books contribute to one large, ongoing project to build up a toolkit of resistant feelings that readers can use to plot their own ways out.

Parts of the Body in Non-Protagonist-Centered Fiction

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Separating part and whole, then, is not enough to see parts of the body differently. The individual has to be sidelined, which is exactly what non-protagonist-centered fiction achieves.

Beyond Protagonist-Centered Fiction

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The conflict between realism and its alternatives may still be going strong, but when it comes to the centrality of the protagonist, there’s no conflict, only agreement.

Should We Believe in Autofiction?

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What if there is a great distance between an author’s real life and the way it’s represented on the page? What kind of accountability, if that’s the case, should the reader expect from the author?