Reviews

I Hate the Internet – Jarett Kobek

by

This book, a paperback novel published by a small press that features several typos, sits outside this circuit of communication, but at what cost?

Vertigo – Joanna Walsh

by

Beautiful, precise and insightful, Walsh’s autofictions muse on life’s imperfection while insisting on liberation through the defiant and naked voicing of the truth of the self pinned at a point in time.

The Service Porch – Fred Moten

by

Moten’s poetry crafts a situation in which the melody stays hidden. He never plays the head of the composition, even if he alludes to the conceptual sphere of the movement.

Multiple Choice – Alejandro Zambra

by

Coherence and logic are not inherent to human experience. Life is paratactic. Causality, the root of arguments and anguish, is the product of a rigorous and motivated training.

Style – Dolores Dorantes

by

Where is violence manufactured? What styles allow and encourage our conditioning, our reproducing? How to be in systems that place you in permanent states of negation?

A Country Road, A Tree – Jo Baker

by

Of the four big Beckett questions that have long beguiled Beckettians, Baker’s novel takes discerning throws at three.

The Reactive – Masande Ntshanga

by

He is an HIV-positive person for whom HIV is operating, surely, as a metaphor.

The Association of Small Bombs – Karan Mahajan

by

Both this novel and its readers deserve better than this easy image of terrorist as sexual brute.

Among Strange Victims – Daniel Saldaña París

by

What does it mean to participate in a literature wherein novels and writers are described, as José Donoso laments in The Boom, as “too cosmopolitan, too intellectual . . . absolutely not what is expected from a Spanish American novelist”?

Revulsion: Thomas Bernhard in San Salvador – Horacio Castellanos Moya

by

The novel reveals as much about Bernhard’s style as it does about Salvadoran society.