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three six five – Lucy Ives

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The book is an almost-living thing, asking the reader to meet it halfway

Steppe – Oksana Vasyakina

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The steppe’s scarred body makes history legible

Hurricane Envy – Sara Jaffe

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“What if this was my big story to tell, what if this was about me?”

Stephanie Sy-Quia

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I think the right to privacy is something that we have very blindly jettisoned in recent years. We are not at all aware of the damage it is doing to us, to have our privacy so invaded and marketed and sold.

White Moss – Anna Nerkagi

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Despite its often brutal themes, Nerkagi’s prose sings

Nymph – Stephanie LaCava

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Nymph is less about assassins or a cyberpunk future than about the long half-life of family

Censoring Power: Nollywood, Politics, and the Price of Creative Freedom

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What appears local in Nigeria such as insurgent violence, political corruption, and institutional critique is, in this light, part of a familiar pattern: states using censorship or regulatory pressure to guide narratives, control moral perception, and shape collective memory.

Baby in the Night – Kevin Sampsell

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Dad is so close, especially on the clear nights, that he seems touchable

Kasia Szymanska

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I kept circling around questions about how people actually experience the pleasure (or discomfort!) of reading translation multiples. Is it boring, difficult, or too demanding of our attention? Does it provoke a sense of loss, chaos, or anxiety?

The Home the Drowned – Elin Anna Labba

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Since their words weren’t enough, the people of the village set up a protest camp