by Scott Beauchamp

Laura A. Warman

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Today, not only is the personal political, the personal is celebrity.

Stop Here – Beverly Gologorsky

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Our sympathy might not be enough.

The Facades – Eric Lundgren

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Imagine the George Saunders’ Band covering a song by the Thomas Pynchon Orchestra and you have a pretty good idea of what sort of book The Facades is.

Under This Terrible Sun – Carlos Busqued

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Stoner culture and noir, when both are at their best, are experiments in mood and atmospherics.

Woke Up Lonely – Fiona Maazel

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Call it psychological. Even call it sociological. But it is not political. It’s far too broad in scope for that.

Brando, My Solitude – Arno Bertina

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The narrator tries to ensnare his grandfather in prose.

Sometimes We Live No Particular Way But Our Own: The Grateful Dead and Epicureanism

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If the Grateful Dead will always be stuck somewhere between band and cult, Epicureanism itself has been stuck between cult and philosophy since it was founded around 300 BCE.

Song Reader – Beck

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So how do we use it?

We Monks and Soldiers – Lutz Bassmann

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Gloom and ambiguity blend to work the reader into a wonderful confusion. But it’s a useful confusion, one that expresses something fundamentally true about the world.

Little Corpse On The Prairie

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This is a story of the domestication of violence, of how the dark and malevolent is less likely to exist in the grimace of some supervillain in a top hat, and more in the strange smell coming from your neighbors’ basement.