Shane Jesse Christmass and Germán Sierra
I’m particularly interested in those aspects that subvert the ‘manifest image’ of the human and the Universe, rather than in those that confirm our perceptions and beliefs.
Etel Adnan gets at reality by melting into the world around her, she lets herself be subsumed by nature, welcomes mountains and waves.
These writers force the dolls into utterance until they become spiritual interlocutors reporting on the mysteries of the human condition.
It is not a unique experience to sit or stand in the presence of a pet or a house plant, or a favorite tree, and to feel that one is not entirely alone.
Trash Mountain – Bradley Bazzle
Having an enemy — that is, something towards which to direct his anger — is, in this way, Ben’s saving grace.
I was a bit sad because visual poets make beautiful images but they don’t say anything and sound poets make very beautiful sounds but we can’t read them. So why is visual poetry not a score for sound poetry?
Strawberry Fields – Hilary Plum
If STRAWBERRY FIELDS deflects some of our attention away from the usual interest in plot and character, its formal arrangement deftly reinforces its ethical ambitions.
On Haiti and the Resistive Imagination
The zombie of the Revolution has now infiltrated popular culture, history, and creative expressions.
The Tidings of the Trees – Wolfgang Hilbig
Dust, bodies, and digging all have thematic importance in Hilbig’s fiction.
Max Gunther is indeed telling an “incredible true story,” but it is not the story of D.B. Cooper.