Reviews

My Heavenly Favorite — Lucas Rijneveld

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As a reader, to spend so much time with this man’s mind is troubling. Still, the rhythmical intensity of Rijneveld’s prose is so striking, the reader can’t help being captivated by this disturbed yet poetic man. As uncomfortable as it is to admit, there is pleasure in his company.

Lili Is Crying – Hélène Bessette

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Absent mothers beget resentment or yearning in their daughters; overpresent mothers make their hearts fester.

Save Me, Stranger – Erika Krouse

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A book that preaches empathy and human connection is nothing new. But Krouse isn’t preaching, and her characters often don’t understand each other.

It’s Not the End of the World – Jonathan Parks-Ramage

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If every novel about modern people is a novel about zombies […] then every novel about people is also a novel about babies

The Failure — Giovanni Papini

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To conquer the infinitude of all things was the goal of Italian writer Giovanni Papini, who, in aid of this task, dedicated his life to embracing the various avant-garde intellectual movements that flashed through Italy in the first half of the 20th century.

Love in a F*cked-Up World – Dean Spade

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“To me,” writes Spade, “LOVE is a clear extension of the questions at the heart of my previous work: How do we build lasting and effective resistance movements? What are the barriers, and how do we overcome them?”

On The Clock – Claire Baglin

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Baglin catalogues those small psychological adjustments that are as important to learn as Point-of-Sale technology or managerial abbreviations if one wants to stay afloat in the modern workplace.

Set Change — Yuri Andrukhovych

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A land of constant instability and change, Andrukhovych’s poetic world is simultaneously hopeless — the future is uncertain, cut short — and teeming with the hope of a reclaimed past, which is never out of reach.

Agonist – U.H Dematagoda

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To write about what you see online treads the thin line between exposing others and exposing yourself.

Living in Your Light — Abdellah Taïa

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“There is no more animosity now,” Malika thinks, “We are equals.” Through this queer experience, Malika is not led to a new identitarian category (like zamel), but rather is able to disrupt the normative power imbalance between colonizer and colonial subject — at least for a moment.