Latest

Chelsea Hodson

w/

While facing a totally unknown new phase of my life, I had a feeling that I should push making music. I didn’t know what would happen and I didn’t have many songs written, but I wanted to try. 

A Very Cold Winter – Fausta Cialente

by

War, and its constitutive masculinism, threatens everyone’s dreams, chances, and sense of selves.

Magadh – Shrikant Verma

by

Rahul Soni’s translation makes space in English for a bridge between the historic and the contemporary, offering a critique of power across time and space. 

Boring Starvation: On Finding the Eating Disorder Book I Needed

by

For a while . . . I thought that no one should write about eating disorders at all because there was no way to do so without somehow glamorizing them.

Ugliness – Moshtari Hilal

by

The nose is not just cartilage and skin; it is inheritance, race, femininity, a mark of refusal, a repository of hatred and desire.

Jazmina Barrera

w/

In painted portraits you can see the hand of the painter, the gestures, the point of view. All portraits are in a way self-portraits too. I wanted that to happen with this book as well.

The Event – Juan José Saer

by

In Bianco, intellectual conviction slips into conspiracy.

Serge – Yasmina Reza

by

At stake in such multitudes, of which Reza’s novel surely is another substantial contribution, seems to be a fundamental rejection of the premise of Adorno’s dictum “To write poetry after Auschwitz is barbaric.”

women & roosters – Fenn Stewart

by

Good poetry is never arbitrary; it’s active and intentional, like an argument.

Thom Eichelberger-Young

w/

I wanted to focus on language alone and its sheer force, uncontained by formal, philosophical, and empirical systems and thought.