by Erin Evans

Mouthing Off: Oral History as an Anticapitalist Form

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An oral history is a unique form of nonfiction where, from the beginning, we are given no promise of truth and the editors make no claims toward a clear, ideologically-specific thesis about their subjects.

The Surrender of Man – Naomi Falk

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How do you articulate with the limited construct of language something as rich and malleable as an emotional response to art?

Marcelo Hernandez Castillo, Esther Lin, and Janine Joseph

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Toni Morrison writes about how “you have to write the book that you want to read.” When I was growing up undocumented, the only things to read about my “situation” was through newspapers, and it was always a crisis.

Life Span – Molly Giles

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[Giles] feels like she is the bridge: stuck, supporting everyone else in her life, carrying a weight she can’t quite pinpoint.

No Measure – Kelly Krumrie

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As the narrator . . . identifies increasingly with their tools, the desert feels more and more like a living being, breathing sand outside its original bounds, germinating and folding blades of grass, unwilling to be captive to . . . humans.