by Scott Beauchamp

Zend and the Art of Typewriter Maintenance

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I’m not into concrete poetry for the same reasons that Donald Barthelme wasn’t into conceptual art: it seems too easy, and once you “get” it, you don’t need it anymore. But it’s a lot easier to dismiss genres than individual artists. My exception to the rule is Robert Zend.

Men in Space – Tom McCarthy

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Imagine the British Museum and you have a pretty good idea of how McCarthy’s literary output is structured.

Markson’s Rejections

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Each rejection is a charge against him read aloud in a courtroom. Each one is a lash, a punishment that he knowingly risked and eventually overcame.

Hello Christine Brooke-Rose, R.I.P.

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The work of Christine Brooke-Rose reminds us that the joy of literature isn’t in recognition and confirmation, but in playful discovery.

The Life Expectancy of a Literary Journal

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In 2012, to make yourself “un-googlable” is perhaps the ballsiest move any single group trying to communicate with people outside of that group can make.

Please Tell Me What This Means

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The most vulgar machinations of capitalism mate with quasi-mystical mass-nostalgia, and you get a Confederate flag and pot leaf beach towel.

Nazis On The Moon

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There’s something pretty absurd about all of this.

Satantango – László Krasznahorkai

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It’s a bestiary of pathetic individuals worthy of Chaucer, Dickens, or some of the more involved Bob Dylan songs.

On The Road On The Big Screen

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Some reactions to the trailer of the film adaptation of Kerouac’s ON THE ROAD.

Walking The Wire

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How famous does something have to be to justify it having a walking tour? How heinous the crime?