Grant Maierhofer

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It made sense to me that writers or artists should utilize constraint in our present world of seemingly limitless possibility.

States of Plague: Reading Albert Camus in a Pandemic – Alice Kaplan and Laura Marris

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The isolation, the fear, the breaking of actual communication, and the lack of touch draws together Camus’s worlds and our reality.

The Bad Angel Brothers – Paul Theroux

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In short, no fun, the having of a brother.

Maria Messina’s Feminine Flaw

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Messina’s writing is bleak and tender and honest and is not trying to persuade me of anything, least of all that things will work out.

Sadie Dupuis

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I love gossip in poems, and I love to see friendship performed in pieces of art, so I don’t know how to create things like that without those kinds of references.

Bright Unbearable Reality – Anna Badkhen

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Without awe, how can we dream up a different reality? Without wonder, the dark matter of possibility, how do we find the courage to zoom in on our unbearable humanity?

Against Safe Sex: A Review of Kathleen J. Woods’s White Wedding

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To ask whether the pornographic narrative style does anything (and to value it accordingly) is to buy into the promises of virtuous consumption. It is to believe that consuming a book somehow transforms aesthetic experience into social action.

Daria Morgendorffer, Jodie Landon, and the Privilege of Cynicism

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Why is cynicism so seemingly tied to whiteness?

Nick Drnaso

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With comics, for better or worse, you can’t really hide from who you are. You’re spending so much time working on these things that you can’t keep up a persona for that long.

Seeing Like a Smuggler: Borders from Below – ed. Mahmoud Keshavarz and Shahram Khosravi

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Many of the people we encounter in the pages of this book do not identify as smugglers but as workers of various kinds.