The Artifact – Germán Sierra

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As technology continues to reshape our relationships to the world and others, the fight to protect the human species must begin with a social and historical understanding of what it means to be human.

Summer Cannibals – Melanie Hobson

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SUMMER CANNIBALS, Melanie Hobson’s addition to the canon of Country Manors In Sharp Decline, proposes another reason for the downfall of polite society: the patriarchy itself.

Father’s on the Phone with the Flies – Herta Müller

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In Müller’s work, emigration is often accompanied by violence, physical, emotional or intellectual. Texts and language reflect this violence.

The Animatic Apparatus – Deborah Levitt

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Perhaps one could narrate the movement from a cinematic to an animatic paradigm as an empowering rather than paranoid trajectory; as a movement from passively seeing with one’s eyes to actively producing bodies and ideas.

Destruction of Man – Abraham Smith

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DESTRUCTION OF MAN is among other things a savage, tender bestiary, a teeming universe in which the human figures as only one among countless symbiotic vital actors.

Confounding Reading: Notes from a Conversation

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I like the fact that you can see error moments that have been used to do something and, also, that there are other latent, inelegant bits that could be resolved differently. I like having both—utilised errors and potentially resolvable parts that nonetheless remain uncoopted.

Crudo – Olivia Laing

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It is all so recent, so almost-up-to-date.

James M. Chesbro

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“The daydream emerged as such an unbidden gift.”

From “The Inelegant Translation”

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My voice doesn’t sound like my voice to him.

The Seas – Samantha Hunt

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Love in the Chthulucene, and in the shattered landscapes that this era presents, is forever incomplete and unsatisfied. It occurs in a shifting landscape, through the fissures of which previously buried uncertainties are constantly arising.