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by Ansgar Allen
Standish bears the specific features of the gentleman — or a parody of it — in all its idiotic, self-regarding, and brutal composure.
Gentleman Overboard – Herbert Clyde Lewis
Standish bears the specific features of the gentleman — or a parody of it — in all its idiotic, self-regarding, and brutal composure.
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w/ Lori Green
Our adornments are not just for vanity, but for resonance—they transmit something to someone who sees you. It’s not just to look pretty; it’s a language.
Penny Slinger
Our adornments are not just for vanity, but for resonance—they transmit something to someone who sees you. It’s not just to look pretty; it’s a language.
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by Kaycie Hall
The sparsity of text keeps the reader at a remove from Mara, as she is trying to keep herself at a remove from her own mind.
Tides – Sara Freeman
The sparsity of text keeps the reader at a remove from Mara, as she is trying to keep herself at a remove from her own mind.
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by Elizabeth Hall
Darkly comedic and wildly inventive, REVENGE OF THE SCAPEGOAT explores childhood trauma, medical exploitation, art making, and the ethics of fleeing our pasts.
Revenge of the Scapegoat – Caren Beilin
Darkly comedic and wildly inventive, REVENGE OF THE SCAPEGOAT explores childhood trauma, medical exploitation, art making, and the ethics of fleeing our pasts.
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by Ansgar Allen
Standish bears the specific features of the gentleman — or a parody of it — in all its idiotic, self-regarding, and brutal composure.
Gentleman Overboard – Herbert Clyde Lewis
Standish bears the specific features of the gentleman — or a parody of it — in all its idiotic, self-regarding, and brutal composure.
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by Kaycie Hall
The sparsity of text keeps the reader at a remove from Mara, as she is trying to keep herself at a remove from her own mind.
Tides – Sara Freeman
The sparsity of text keeps the reader at a remove from Mara, as she is trying to keep herself at a remove from her own mind.
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by Elizabeth Hall
Darkly comedic and wildly inventive, REVENGE OF THE SCAPEGOAT explores childhood trauma, medical exploitation, art making, and the ethics of fleeing our pasts.
Revenge of the Scapegoat – Caren Beilin
Darkly comedic and wildly inventive, REVENGE OF THE SCAPEGOAT explores childhood trauma, medical exploitation, art making, and the ethics of fleeing our pasts.
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by Charles Theonia
To this gay, it comes as no surprise that a book called Villainy is about friendship. Queerness isn’t individual — it’s not something we can do on our own. We need each other just as much in the street as we do in the hot tub orgy.
Villainy – Andrea Abi-Karam
To this gay, it comes as no surprise that a book called Villainy is about friendship. Queerness isn’t individual — it’s not something we can do on our own. We need each other just as much in the street as we do in the hot tub orgy.
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w/ Lori Green
Our adornments are not just for vanity, but for resonance—they transmit something to someone who sees you. It’s not just to look pretty; it’s a language.
Penny Slinger
Our adornments are not just for vanity, but for resonance—they transmit something to someone who sees you. It’s not just to look pretty; it’s a language.
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w/ Gabriel Ojeda-Sagué
I do think I’ve lost something that’s beyond recovery, which is the tender feeling for a language that comes with it being native to your world and brain.
Gabriel Ojeda-Sagué and Sebastian Castillo
I do think I’ve lost something that’s beyond recovery, which is the tender feeling for a language that comes with it being native to your world and brain.
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w/ Emily Saso
I spend a lot of time with each sentence asking myself: is this as true as it can be? Am I taking a risk here?
Courtney Maum
I spend a lot of time with each sentence asking myself: is this as true as it can be? Am I taking a risk here?
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w/ Ben Robinson
I keep having this phrase that feels important to me: How does language happen to me? In relationship to these landscapes, in relationship to these questions, in relationship to these documents. What kind of language wants to emerge?
Yanara Friedland
I keep having this phrase that feels important to me: How does language happen to me? In relationship to these landscapes, in relationship to these questions, in relationship to these documents. What kind of language wants to emerge?
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by Shane Burley
The rest of the academic world has left the subject behind because we, ostensibly, already have institutes and authors to cover this subject. This situation is not inevitable, but only the result of the political right staking their claim to the subject of antisemitism.
There’s Something Dangerous in ‘Antisemitism Studies’
The rest of the academic world has left the subject behind because we, ostensibly, already have institutes and authors to cover this subject. This situation is not inevitable, but only the result of the political right staking their claim to the subject of antisemitism.
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by George Angell
Freely/Dawe represent what they have produced as a translation when, by any fair definition of the word, it isn’t. To make matters worse—much worse—they misread the Turkish again and again.
A Madonna Vandalized
Freely/Dawe represent what they have produced as a translation when, by any fair definition of the word, it isn’t. To make matters worse—much worse—they misread the Turkish again and again.
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by Ana Quiring
The malcontents of quarantine life—especially for women—recall other forms of domestic confinement, from self-inflicted agoraphobia to endless household drudgery.
On Shirley Jackson and Staying Inside
The malcontents of quarantine life—especially for women—recall other forms of domestic confinement, from self-inflicted agoraphobia to endless household drudgery.
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by Mariah Stovall
For Black people, the opportunity to explore and indulge non-racial angst is a sacred but not always convenient or respected imperative.
Must Different Always Mean Marginal?
For Black people, the opportunity to explore and indulge non-racial angst is a sacred but not always convenient or respected imperative.
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by Michael Schapira
In the immortal and ominous words of Prince Buster, “Enjoy yourself, it’s later than you think.”
20 4 420: Irie Edition
In the immortal and ominous words of Prince Buster, “Enjoy yourself, it’s later than you think.”
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by Liza Daly
“The Ostrich is the Key for the Future Development of all Mankind!”
The Ostrich For The Defence
“The Ostrich is the Key for the Future Development of all Mankind!”
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by Trove Newsletter
Trove Newsletter’s February 2022 Backlist Recommendations
Trove Vol. 6: New Year, Old Books
Trove Newsletter’s February 2022 Backlist Recommendations
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by The Editors
Full Stop founding editors Eric Jett and Alex Shephard dive deep into the world of Jonathan Franzen!
Podcast #14 – Mr. Difficult
Full Stop founding editors Eric Jett and Alex Shephard dive deep into the world of Jonathan Franzen!