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by [Sarah] Cavar
It is in these cracks, in the margins and the alleyways and “cripistemic” backwoods, and in moments stolen from and apposite to the Institution, that transMad projects event themselves…
“BEFORE THE FUCKERS CATCH US”: TRANSMAD POETICS AND EPISTEMIC FLIGHT
It is in these cracks, in the margins and the alleyways and “cripistemic” backwoods, and in moments stolen from and apposite to the Institution, that transMad projects event themselves…
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w/ Rose Bialer
We know intellectually that we’re animals and that we’re mammals and that we function the same as other animals, but we don’t feel like it. And most of the time, we don’t have to really deal with the physicality of living on that intensive level.
Emily McBride
We know intellectually that we’re animals and that we’re mammals and that we function the same as other animals, but we don’t feel like it. And most of the time, we don’t have to really deal with the physicality of living on that intensive level.
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by McKenzie Watson-Fore
[Brother Epistles] reads like a lyric experiment in time travel
Brother Epistles – Shanda McManus
[Brother Epistles] reads like a lyric experiment in time travel
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by Eamon McGrath
A modern-day Hemingway would be an M&S shopper, too.
Château Rouge – Amit Chaudhuri
A modern-day Hemingway would be an M&S shopper, too.
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by McKenzie Watson-Fore
[Brother Epistles] reads like a lyric experiment in time travel
Brother Epistles – Shanda McManus
[Brother Epistles] reads like a lyric experiment in time travel
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by Eamon McGrath
A modern-day Hemingway would be an M&S shopper, too.
Château Rouge – Amit Chaudhuri
A modern-day Hemingway would be an M&S shopper, too.
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by Annaya Baynes
Even as they inject the stories with magical realism, the collection is grounded by an understanding of the systems of oppression that beget antiBlackness, fetishization, white supremacy, racial capitalism, etc. However, Bah is not defeatist. Black queer and trans people create new languages and new ways of being
The Rage Letters – Valérie Bah
Even as they inject the stories with magical realism, the collection is grounded by an understanding of the systems of oppression that beget antiBlackness, fetishization, white supremacy, racial capitalism, etc. However, Bah is not defeatist. Black queer and trans people create new languages and new ways of being
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by Sophie Golub
She would force her own legacy
Bitter Water Opera – Nicolette Polek
She would force her own legacy
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w/ Rose Bialer
We know intellectually that we’re animals and that we’re mammals and that we function the same as other animals, but we don’t feel like it. And most of the time, we don’t have to really deal with the physicality of living on that intensive level.
Emily McBride
We know intellectually that we’re animals and that we’re mammals and that we function the same as other animals, but we don’t feel like it. And most of the time, we don’t have to really deal with the physicality of living on that intensive level.
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w/ Alton Melvar M. Dapanas
I sometimes think artists are born with a built-in extra soul, one that has a natural tendency for the blues. Is it an inborn anointing? Or is it over-confidence, the sheer audacity to flatter myself?
Noeme Grace C. Tabor-Farjani
I sometimes think artists are born with a built-in extra soul, one that has a natural tendency for the blues. Is it an inborn anointing? Or is it over-confidence, the sheer audacity to flatter myself?
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w/ Colm McKenna
You never hear painters or musicians complain about how painful it is for them to work, but writers frequently moan about it. That lack of pleasure in the work is often palpable when you read it.
John Tottenham
You never hear painters or musicians complain about how painful it is for them to work, but writers frequently moan about it. That lack of pleasure in the work is often palpable when you read it.
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w/ Griffin Reed
This thing is well-documented in Pynchon — technology and capital are one entity
Devin Thomas O’Shea
This thing is well-documented in Pynchon — technology and capital are one entity
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by [Sarah] Cavar
It is in these cracks, in the margins and the alleyways and “cripistemic” backwoods, and in moments stolen from and apposite to the Institution, that transMad projects event themselves…
“BEFORE THE FUCKERS CATCH US”: TRANSMAD POETICS AND EPISTEMIC FLIGHT
It is in these cracks, in the margins and the alleyways and “cripistemic” backwoods, and in moments stolen from and apposite to the Institution, that transMad projects event themselves…
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by Elizabeth Brogden
The encounters that these heterotopic settings enable . . . are ones whose value is all but illegible within the larger hegemonic framework of techno-capitalist logic . . . offline, unprofitable, and almost aggressively niche.
Content’s Discontents: Heterotopic Literature in the Age of Distraction
The encounters that these heterotopic settings enable . . . are ones whose value is all but illegible within the larger hegemonic framework of techno-capitalist logic . . . offline, unprofitable, and almost aggressively niche.
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by Noah Berlatsky
Like all the best nonsense, from Edward Lear to John Ashbery, Heroux’s poetry makes you feel like nothing will ever make sense again.
The Sublime Surreal Nonsense of Jason Heroux
Like all the best nonsense, from Edward Lear to John Ashbery, Heroux’s poetry makes you feel like nothing will ever make sense again.
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by Jade Gu
Traditionally, Western concepts of originality in art are not equipped to consider whether creativity is possible under conditions of continual reproduction; it presupposes an authentic source of spontaneous genius.
Little Pink Book as Literary Fanfiction
Traditionally, Western concepts of originality in art are not equipped to consider whether creativity is possible under conditions of continual reproduction; it presupposes an authentic source of spontaneous genius.
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by Natália Affonso
Read the introduction to our latest issue of the Full Stop Quarterly, “Tender Tongues.”
Tender, Tenderized and Intertwined
Read the introduction to our latest issue of the Full Stop Quarterly, “Tender Tongues.”
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by Michael Schapira
The following playlist is humbly submitted for your listening pleasure from Full Stop, your full service literary journal.
20 4 420: Irie Edition
The following playlist is humbly submitted for your listening pleasure from Full Stop, your full service literary journal.
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by Michael Schapira
The following playlist is humbly submitted for your listening pleasure from Full Stop, your full service literary journal. In
20 4 420: Irie Edition
The following playlist is humbly submitted for your listening pleasure from Full Stop, your full service literary journal. In
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by The Editors
This special issue of the FULL STOP QUARTERLY will aim to hold folklore as a prism through which to view connection, the self, and the future. . . . It will explore folklore in and as literature, as process, and as performance.
Call for Pitches
This special issue of the FULL STOP QUARTERLY will aim to hold folklore as a prism through which to view connection, the self, and the future. . . . It will explore folklore in and as literature, as process, and as performance.