The Twilight Zone from Graywolf Press
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  • by Mathilde Hjertholm Nielsen


    What Eisendrath needs is the regeneration of pastoral romance, to orchestrate the end that is also a beginning.

    Gallery of Clouds – Rachel Eisendrath

    What Eisendrath needs is the regeneration of pastoral romance, to orchestrate the end that is also a beginning.

  • by Nathaniel Rosenthalis


    It is rare I encounter a work that is so formally perfectly realized of itself that it is almost painfully exciting to read; the space of the page becomes increasingly charged from the precise and repeating shapes.

    trans(re)lating house one – Poupeh Missaghi

    It is rare I encounter a work that is so formally perfectly realized of itself that it is almost painfully exciting to read; the space of the page becomes increasingly charged from the precise and repeating shapes.

  • w/ Vincent Scarpa


    We need to hold each other in our fears and support each other in directing our actions, however fruitless they may sometimes seem.

    Lisa Olstein and Julie Carr

    We need to hold each other in our fears and support each other in directing our actions, however fruitless they may sometimes seem.

  • by Adam Fales


    The present is where Castro relishes his attention, but it’s a present layered with memory and subjectivity.

    The Novelist – Jordan Castro

    The present is where Castro relishes his attention, but it’s a present layered with memory and subjectivity.

  • by Mathilde Hjertholm Nielsen


    What Eisendrath needs is the regeneration of pastoral romance, to orchestrate the end that is also a beginning.

    Gallery of Clouds – Rachel Eisendrath

    What Eisendrath needs is the regeneration of pastoral romance, to orchestrate the end that is also a beginning.

  • by Nathaniel Rosenthalis


    It is rare I encounter a work that is so formally perfectly realized of itself that it is almost painfully exciting to read; the space of the page becomes increasingly charged from the precise and repeating shapes.

    trans(re)lating house one – Poupeh Missaghi

    It is rare I encounter a work that is so formally perfectly realized of itself that it is almost painfully exciting to read; the space of the page becomes increasingly charged from the precise and repeating shapes.

  • by Adam Fales


    The present is where Castro relishes his attention, but it’s a present layered with memory and subjectivity.

    The Novelist – Jordan Castro

    The present is where Castro relishes his attention, but it’s a present layered with memory and subjectivity.

  • by Allysson Casais


    An existentialist dread runs throughout the narratives as they are marked by an exploration of the self, expressing the fears of a generation facing incredible challenges.

    Moldy Strawberries – Caio Fernando Abreu

    An existentialist dread runs throughout the narratives as they are marked by an exploration of the self, expressing the fears of a generation facing incredible challenges.

  • w/ Vincent Scarpa


    We need to hold each other in our fears and support each other in directing our actions, however fruitless they may sometimes seem.

    Lisa Olstein and Julie Carr

    We need to hold each other in our fears and support each other in directing our actions, however fruitless they may sometimes seem.

  • w/ Michael Schapira


    An album based on a novel about a 2020’s apocalypse written in the 1990’s resonated with listeners in ways that I couldn’t have imagined when I started writing the songs many years ago.

    Jay Hammond

    An album based on a novel about a 2020’s apocalypse written in the 1990’s resonated with listeners in ways that I couldn’t have imagined when I started writing the songs many years ago.

  • w/ Emily Saso


    I wanted to write about a lost Florida, my Florida, if you will. 

    Andrew Holleran

    I wanted to write about a lost Florida, my Florida, if you will. 

  • w/ Shane Burley


    The human condition is one that has violence and unexpected death. We should always be asking how people move through it and come together again. How they endure.

    Mark Oppenheimer

    The human condition is one that has violence and unexpected death. We should always be asking how people move through it and come together again. How they endure.

  • by Darren Huang


    In this sensitively observed collection, the freedom to define oneself is achieved not only through the rebellion against cultural constraints, but also the embrace of the provisional nature of identity.

    You’ve Changed – Pyae Moe Thet War 

    In this sensitively observed collection, the freedom to define oneself is achieved not only through the rebellion against cultural constraints, but also the embrace of the provisional nature of identity.

  • by Arsi Alenius


    No one can truly count on not ending up a montage of old photos, accompanied by piano music, a Hollywood voiceover, or a share button.

    I, ©

    No one can truly count on not ending up a montage of old photos, accompanied by piano music, a Hollywood voiceover, or a share button.

  • by Shane Burley


    The rest of the academic world has left the subject behind because we, ostensibly, already have institutes and authors to cover this subject. This situation is not inevitable, but only the result of the political right staking their claim to the subject of antisemitism.

    There’s Something Dangerous in ‘Antisemitism Studies’

    The rest of the academic world has left the subject behind because we, ostensibly, already have institutes and authors to cover this subject. This situation is not inevitable, but only the result of the political right staking their claim to the subject of antisemitism.

  • by George Angell


    Freely/Dawe represent what they have produced as a translation when, by any fair definition of the word, it isn’t. To make matters worse—much worse—they misread the Turkish again and again.

    A Madonna Vandalized

    Freely/Dawe represent what they have produced as a translation when, by any fair definition of the word, it isn’t. To make matters worse—much worse—they misread the Turkish again and again.

  • by Michael Schapira


    In the immortal and ominous words of Prince Buster, “Enjoy yourself, it’s later than you think.”

    20 4 420: Irie Edition

    In the immortal and ominous words of Prince Buster, “Enjoy yourself, it’s later than you think.”

  • by Liza Daly


    “The Ostrich is the Key for the Future Development of all Mankind!”

    The Ostrich For The Defence

    “The Ostrich is the Key for the Future Development of all Mankind!”

  • by Trove Newsletter


    Trove Newsletter’s February 2022 Backlist Recommendations

    Trove Vol. 6: New Year, Old Books

    Trove Newsletter’s February 2022 Backlist Recommendations

  • by The Editors


    Full Stop founding editors Eric Jett and Alex Shephard dive deep into the world of Jonathan Franzen!

    Podcast #14 – Mr. Difficult

    Full Stop founding editors Eric Jett and Alex Shephard dive deep into the world of Jonathan Franzen!

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