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w/ Hannah Assadi
I feel very deeply that I am a child of Haïfa, this mountain place facing the sea, on the shores of the Mediterranean, while being at the same time a citizen of the world.
Olivia Elias
I feel very deeply that I am a child of Haïfa, this mountain place facing the sea, on the shores of the Mediterranean, while being at the same time a citizen of the world.
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by Amber Ruth Paulen
With Kairos, Erpenbeck proves the impossibility, irresponsibility even, of an easy binary and reminds us that the only thing we can be certain of is an ending that will bring along change.
Kairos – Jenny Erpenbeck
With Kairos, Erpenbeck proves the impossibility, irresponsibility even, of an easy binary and reminds us that the only thing we can be certain of is an ending that will bring along change.
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by Amy Bobeda
While set in the 1940s, Earling’s engagement with the complexities of reservation violence rooted in the traumas of settler colonialism and modern capitalism, make the story of Louise White Elk as resonant as it was when the novel was first published in 2002.
Perma Red – Debra Magpie Earling
While set in the 1940s, Earling’s engagement with the complexities of reservation violence rooted in the traumas of settler colonialism and modern capitalism, make the story of Louise White Elk as resonant as it was when the novel was first published in 2002.
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w/ Lindsay Choi
This allegorical world in my writing life . . . it’s an equally alive and present world alongside my lived life. . . . Maybe it’s unclear which narrative is within the other—maybe it’s more like they’re all intertwined.
Syd Staiti
This allegorical world in my writing life . . . it’s an equally alive and present world alongside my lived life. . . . Maybe it’s unclear which narrative is within the other—maybe it’s more like they’re all intertwined.
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by Amber Ruth Paulen
With Kairos, Erpenbeck proves the impossibility, irresponsibility even, of an easy binary and reminds us that the only thing we can be certain of is an ending that will bring along change.
Kairos – Jenny Erpenbeck
With Kairos, Erpenbeck proves the impossibility, irresponsibility even, of an easy binary and reminds us that the only thing we can be certain of is an ending that will bring along change.
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by Amy Bobeda
While set in the 1940s, Earling’s engagement with the complexities of reservation violence rooted in the traumas of settler colonialism and modern capitalism, make the story of Louise White Elk as resonant as it was when the novel was first published in 2002.
Perma Red – Debra Magpie Earling
While set in the 1940s, Earling’s engagement with the complexities of reservation violence rooted in the traumas of settler colonialism and modern capitalism, make the story of Louise White Elk as resonant as it was when the novel was first published in 2002.
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by Diana Ruzova
What does it mean to be a good immigrant daughter? What does it take to be regenerative, resistant, and nostalgic?
Meet Me Tonight in Atlantic City – Jane Wong
What does it mean to be a good immigrant daughter? What does it take to be regenerative, resistant, and nostalgic?
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by Olga Mikolaivna
Houston refutes language, or at the very least refuses to be authored by it.
Standard American English – Elisabeth Houston
Houston refutes language, or at the very least refuses to be authored by it.
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w/ Hannah Assadi
I feel very deeply that I am a child of Haïfa, this mountain place facing the sea, on the shores of the Mediterranean, while being at the same time a citizen of the world.
Olivia Elias
I feel very deeply that I am a child of Haïfa, this mountain place facing the sea, on the shores of the Mediterranean, while being at the same time a citizen of the world.
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w/ Lindsay Choi
This allegorical world in my writing life . . . it’s an equally alive and present world alongside my lived life. . . . Maybe it’s unclear which narrative is within the other—maybe it’s more like they’re all intertwined.
Syd Staiti
This allegorical world in my writing life . . . it’s an equally alive and present world alongside my lived life. . . . Maybe it’s unclear which narrative is within the other—maybe it’s more like they’re all intertwined.
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w/ Timothy Otte
Part of what I’m working through is the sense of there being always the ruins, always the death and deathliness in the space and time of New World blackness.
Chaun Webster
Part of what I’m working through is the sense of there being always the ruins, always the death and deathliness in the space and time of New World blackness.
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w/ Stephanie Yue Duhem
Kissing, sucking, chewing, salivating, feasting, fasting. What does the mouth do when we’re thinking, reading poetry, watching or approaching a lover or an enemy, a horror movie or a romcom? I’m curious.
Emmalea Russo
Kissing, sucking, chewing, salivating, feasting, fasting. What does the mouth do when we’re thinking, reading poetry, watching or approaching a lover or an enemy, a horror movie or a romcom? I’m curious.
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by Elizabeth Brogden
Splicing one’s twenty-first-century world with that of a historical figure is a multi-faceted labor of translation–not only across time, but across media, languages, and cultures.
Literature’s Lost Profiles: The Oblique Subjects of Parabiography
Splicing one’s twenty-first-century world with that of a historical figure is a multi-faceted labor of translation–not only across time, but across media, languages, and cultures.
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by J.T. Price
Somehow, it was as if the playwright had invited the audience to his own wake, with the strictest of instructions that everybody for crying out loud have a good time.
On Des Moines, the Final Play of Denis Johnson
Somehow, it was as if the playwright had invited the audience to his own wake, with the strictest of instructions that everybody for crying out loud have a good time.
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by Daniel Nester
Far from a recluse, Ashbery was in fact super-social in his own way, someone who prized poets’ work, a prolific blurber of younger poets’ books.
John Ashbery in the Physical World
Far from a recluse, Ashbery was in fact super-social in his own way, someone who prized poets’ work, a prolific blurber of younger poets’ books.
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by Cary Stough
The letter resembles such gestures as the smile or the wave in the way it puts faith in the signs we move between each other as subjects.
Whom To Send To: Bernadette Mayer’s Lifelong Epistle
The letter resembles such gestures as the smile or the wave in the way it puts faith in the signs we move between each other as subjects.
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by Michael Schapira
Enjoy yourself, it’s later than you think.
20 4 420: Irie Edition
Enjoy yourself, it’s later than you think.
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by The Editors
Reclaiming Horror, a special issue of Full Stop Quarterly, guest-edited by Gillian Joseph
Call for Submissions
Reclaiming Horror, a special issue of Full Stop Quarterly, guest-edited by Gillian Joseph
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by The Editors
We’re excited to announce the 2022 Full Stop Editorial Fellows: Ching-In Chen and Gillian Joseph!
Announcing the Full Stop Editorial Fellows
We’re excited to announce the 2022 Full Stop Editorial Fellows: Ching-In Chen and Gillian Joseph!
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by The Editors
The year’s best books, as selected by the editors of Full Stop.
The 10 Best Books of 2022
The year’s best books, as selected by the editors of Full Stop.