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by The Editors
A glimpse into our ongoing conversations about the possibilities of the contemporary review.
The Full Stop Reviews Supplement #2
A glimpse into our ongoing conversations about the possibilities of the contemporary review.
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w/ Emily Anderson
“Being attentive to the dynamics of place has always been really beneficial for me just in terms of being a person, and not being locked into a way of thought that is not productive, for citizenship.”
José Felipe Alvergue
“Being attentive to the dynamics of place has always been really beneficial for me just in terms of being a person, and not being locked into a way of thought that is not productive, for citizenship.”
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by Mukund Belliappa
When we die, we all become fictional characters.
Fog – Miguel de Unamuno
When we die, we all become fictional characters.
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by Helen McClory
All art is for you. All writing is for us. I’m going to say it til I die.
(Read Me)
All art is for you. All writing is for us. I’m going to say it til I die.
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by Mukund Belliappa
When we die, we all become fictional characters.
Fog – Miguel de Unamuno
When we die, we all become fictional characters.
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by Daniel Green
By employing the omniscient method, Magarian is almost necessarily ruling out the kind of detailed probing of his characters’ psychological states we have perhaps come to expect in fiction.
The Fabrications – Baret Magarian
By employing the omniscient method, Magarian is almost necessarily ruling out the kind of detailed probing of his characters’ psychological states we have perhaps come to expect in fiction.
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by James Holt
Francesco Pacifico’s CLASS is both a contribution to and, at its best, a subversion of the genre of gentrifier kunstlerroman.
Class – Francesco Pacifico
Francesco Pacifico’s CLASS is both a contribution to and, at its best, a subversion of the genre of gentrifier kunstlerroman.
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by Bécquer Seguín
Like so many young Spaniards of the transition, Juan never questions his elders, as though pointing out Muriel’s hypocrisy might lead to the return of the Franco regime.
Thus Bad Begins – Javier Marías
Like so many young Spaniards of the transition, Juan never questions his elders, as though pointing out Muriel’s hypocrisy might lead to the return of the Franco regime.
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w/ Emily Anderson
“Being attentive to the dynamics of place has always been really beneficial for me just in terms of being a person, and not being locked into a way of thought that is not productive, for citizenship.”
José Felipe Alvergue
“Being attentive to the dynamics of place has always been really beneficial for me just in terms of being a person, and not being locked into a way of thought that is not productive, for citizenship.”
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w/ Devin Kelly
“I don’t think I’ll ever stop writing Ohio poems. It’s who I am.”
Maggie Smith
“I don’t think I’ll ever stop writing Ohio poems. It’s who I am.”
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w/ Michael Schapira
University decline is like climate change. It has multiple causes… [and] each cause works slowly enough to allow most people to stay in denial about their effects.
Christopher Newfield (part 2)
University decline is like climate change. It has multiple causes… [and] each cause works slowly enough to allow most people to stay in denial about their effects.
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w/ Michael Schapira
We talk a lot about the limits of critique. I’m more worried about the absence of critique. I mean institutional critique, including self-critique. That’s how professions get out of blind alleys and advance.
Christopher Newfield
We talk a lot about the limits of critique. I’m more worried about the absence of critique. I mean institutional critique, including self-critique. That’s how professions get out of blind alleys and advance.
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by Andrea Penman-Lomeli
In Mexico, state-sponsored films allow symbolic critique to supplant structural change.
Consumption of Culture as Politics
In Mexico, state-sponsored films allow symbolic critique to supplant structural change.
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by S.D. Chrostowska
A typology of the beggar in Western culture.
Begging for Utopia
A typology of the beggar in Western culture.
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by Daniel D. Clausen
The contradictions of nostalgic crafting.
The Anarchist in the Woodshop
The contradictions of nostalgic crafting.
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by Kyle Coma-Thompson
The grotesque humor of Ralph Eugene Meatyard’s photography.
The God of Things as They Aren’t
The grotesque humor of Ralph Eugene Meatyard’s photography.
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by The Editors
A glimpse into our ongoing conversations about the possibilities of the contemporary review.
The Full Stop Reviews Supplement #2
A glimpse into our ongoing conversations about the possibilities of the contemporary review.
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by Helen McClory
All art is for you. All writing is for us. I’m going to say it til I die.
(Read Me)
All art is for you. All writing is for us. I’m going to say it til I die.
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by Lina Meruane
Did we forget that other women were fighting for the rights we acquired, and that we must also fight for those who have not yet obtained them? Did our well of solidarity run dry?
Against Pseudofeminism
Did we forget that other women were fighting for the rights we acquired, and that we must also fight for those who have not yet obtained them? Did our well of solidarity run dry?
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by The Editors
This issue of the Full Stop Quarterly is concerned with the processes and systems that make up and facilitate writing and reading, and in particular with poetry, the perpetual avant-garde.
Full Stop Quarterly: August 2017
This issue of the Full Stop Quarterly is concerned with the processes and systems that make up and facilitate writing and reading, and in particular with poetry, the perpetual avant-garde.
