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by Laura Wetherington
EXPERIMENTS IN JOY holds space for so many other individuals, and for an inclusive community, because this is a part of Civil’s ethics, but also because she’s often making work in collaboration.
Experiments in Joy – Gabrielle Civil
EXPERIMENTS IN JOY holds space for so many other individuals, and for an inclusive community, because this is a part of Civil’s ethics, but also because she’s often making work in collaboration.
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by Cory Austin Knudson
Leslie Kaplan’s EXCESS—THE FACTORY has nine circles, but you don’t get to the bottom of it.
Excess—The Factory – Leslie Kaplan
Leslie Kaplan’s EXCESS—THE FACTORY has nine circles, but you don’t get to the bottom of it.
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by Clint Williamson
Stories rely on their iterability, extant within a system of circulation, mobile and memorable.
The Storyteller Essays – Walter Benjamin
Stories rely on their iterability, extant within a system of circulation, mobile and memorable.
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by Marina Manoukian
Lok’s stories negotiate and transgress the limits of the nearly impossible.
Last of Her Name – Mimi Lok
Lok’s stories negotiate and transgress the limits of the nearly impossible.
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by Laura Wetherington
EXPERIMENTS IN JOY holds space for so many other individuals, and for an inclusive community, because this is a part of Civil’s ethics, but also because she’s often making work in collaboration.
Experiments in Joy – Gabrielle Civil
EXPERIMENTS IN JOY holds space for so many other individuals, and for an inclusive community, because this is a part of Civil’s ethics, but also because she’s often making work in collaboration.
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by Cory Austin Knudson
Leslie Kaplan’s EXCESS—THE FACTORY has nine circles, but you don’t get to the bottom of it.
Excess—The Factory – Leslie Kaplan
Leslie Kaplan’s EXCESS—THE FACTORY has nine circles, but you don’t get to the bottom of it.
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by Clint Williamson
Stories rely on their iterability, extant within a system of circulation, mobile and memorable.
The Storyteller Essays – Walter Benjamin
Stories rely on their iterability, extant within a system of circulation, mobile and memorable.
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by Marina Manoukian
Lok’s stories negotiate and transgress the limits of the nearly impossible.
Last of Her Name – Mimi Lok
Lok’s stories negotiate and transgress the limits of the nearly impossible.
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w/ Joseph Bradshaw
Steve Abbot’s writing often asks the reader to be open to self-critique and surprise, to be open to the process of discovering new avenues for thought, whether hyperbolic, or crass, or even wrongheaded.
Jamie Townsend on Steve Abbott
Steve Abbot’s writing often asks the reader to be open to self-critique and surprise, to be open to the process of discovering new avenues for thought, whether hyperbolic, or crass, or even wrongheaded.
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w/ Michael Schapira
Bierce’s cynicism of our institutions, the rich, religion, and common beliefs could have been written yesterday.
Keith Bendis
Bierce’s cynicism of our institutions, the rich, religion, and common beliefs could have been written yesterday.
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w/ Paul Morton
I admire those who took a principled position and paid the price for it. They fought on battlefields too. Their battlefields were behind the tall, concrete walls of federal penitentiaries.
George Takei
I admire those who took a principled position and paid the price for it. They fought on battlefields too. Their battlefields were behind the tall, concrete walls of federal penitentiaries.
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w/ Devin Kelly
I would prefer to stay on the side of generosity.
Peter Mishler
I would prefer to stay on the side of generosity.
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by Lily Meyer
Hwang Sok-yong is committed to representing the Koreans—on both sides of the 38th parallel—hurt or left behind by South Korea’s rapid technological and economic progress.
From The Bottom Up: Hwang Sok-yong’s North and South Korea
Hwang Sok-yong is committed to representing the Koreans—on both sides of the 38th parallel—hurt or left behind by South Korea’s rapid technological and economic progress.
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by Mollie Elizabeth Pyne
I wonder if, by revisiting places of queer erasure, both of the city and my own, and by using movement as a method for storytelling, I could re-map and re-narrate my queer disorientation within Plymouth.
The Spirit of Discovery
I wonder if, by revisiting places of queer erasure, both of the city and my own, and by using movement as a method for storytelling, I could re-map and re-narrate my queer disorientation within Plymouth.
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by Caren Beilin
In November, I had the copper IUD, called Paragard, implanted in my uterus, to ensure a 99% chance of unconceivable fucking.
Paragard Don’t Get One: my copper IUD library
In November, I had the copper IUD, called Paragard, implanted in my uterus, to ensure a 99% chance of unconceivable fucking.
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by The Editors
What’s a movement without a few buttons and bullhorns?
Images from Graduate Student Union Campaigns (Part 1)
What’s a movement without a few buttons and bullhorns?
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by Johanna Skibsrud
Time and history are not linear in structure, in other words, but lyric.
Visual Histories: Metzger, Paterson, and the Cartography of Lyric Time
Time and history are not linear in structure, in other words, but lyric.
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by Ramy El-Etreby
Graffiti just does not speak to me. Not like tapestries do.
My Life is a Tapestry
Graffiti just does not speak to me. Not like tapestries do.
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by The Editors
Valerie Solanas has been written off as a worthless artist, remembered only for her violent act against Andy Warhol. We talk with author Chavisa Woods about her recent essay on Solanas, as well as her new book, 100 Times.
Podcast Episode 3: Hating Valerie Solanas w/ Chavisa Woods
Valerie Solanas has been written off as a worthless artist, remembered only for her violent act against Andy Warhol. We talk with author Chavisa Woods about her recent essay on Solanas, as well as her new book, 100 Times.
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by Allison OKeefe
The internet is trending again in this year’s catalogue of new and forthcoming books.
Trending Again
The internet is trending again in this year’s catalogue of new and forthcoming books.