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w/ Patrick Parks
[Digging] reflects . . . for me, rather than a resignation, an active embrace of the dirt, the mud, the worms, the fungus, the bodies. The best way out is through . . . this kind of thing.
Grant Maierhofer, Part II
[Digging] reflects . . . for me, rather than a resignation, an active embrace of the dirt, the mud, the worms, the fungus, the bodies. The best way out is through . . . this kind of thing.
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by Caroline Reagan
I wanted salvation without the fall; I wanted art to save me from life.
Art as Savior: Against Nature
I wanted salvation without the fall; I wanted art to save me from life.
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w/ Patrick Parks
It made sense to me that writers or artists should utilize constraint in our present world of seemingly limitless possibility.
Grant Maierhofer
It made sense to me that writers or artists should utilize constraint in our present world of seemingly limitless possibility.
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by Brian O'Neill
The isolation, the fear, the breaking of actual communication, and the lack of touch draws together Camus’s worlds and our reality.
States of Plague: Reading Albert Camus in a Pandemic – Alice Kaplan and Laura Marris
The isolation, the fear, the breaking of actual communication, and the lack of touch draws together Camus’s worlds and our reality.
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by Brian O'Neill
The isolation, the fear, the breaking of actual communication, and the lack of touch draws together Camus’s worlds and our reality.
States of Plague: Reading Albert Camus in a Pandemic – Alice Kaplan and Laura Marris
The isolation, the fear, the breaking of actual communication, and the lack of touch draws together Camus’s worlds and our reality.
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by John Cussen
In short, no fun, the having of a brother.
The Bad Angel Brothers – Paul Theroux
In short, no fun, the having of a brother.
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by Elizabeth Hall
Without awe, how can we dream up a different reality? Without wonder, the dark matter of possibility, how do we find the courage to zoom in on our unbearable humanity?
Bright Unbearable Reality – Anna Badkhen
Without awe, how can we dream up a different reality? Without wonder, the dark matter of possibility, how do we find the courage to zoom in on our unbearable humanity?
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by Damini Pant
Many of the people we encounter in the pages of this book do not identify as smugglers but as workers of various kinds.
Seeing Like a Smuggler: Borders from Below – ed. Mahmoud Keshavarz and Shahram Khosravi
Many of the people we encounter in the pages of this book do not identify as smugglers but as workers of various kinds.
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w/ Patrick Parks
[Digging] reflects . . . for me, rather than a resignation, an active embrace of the dirt, the mud, the worms, the fungus, the bodies. The best way out is through . . . this kind of thing.
Grant Maierhofer, Part II
[Digging] reflects . . . for me, rather than a resignation, an active embrace of the dirt, the mud, the worms, the fungus, the bodies. The best way out is through . . . this kind of thing.
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w/ Patrick Parks
It made sense to me that writers or artists should utilize constraint in our present world of seemingly limitless possibility.
Grant Maierhofer
It made sense to me that writers or artists should utilize constraint in our present world of seemingly limitless possibility.
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w/ Rachelle Toarmino
I love gossip in poems, and I love to see friendship performed in pieces of art, so I don’t know how to create things like that without those kinds of references.
Sadie Dupuis
I love gossip in poems, and I love to see friendship performed in pieces of art, so I don’t know how to create things like that without those kinds of references.
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w/ Paul Morton
With comics, for better or worse, you can’t really hide from who you are. You’re spending so much time working on these things that you can’t keep up a persona for that long.
Nick Drnaso
With comics, for better or worse, you can’t really hide from who you are. You’re spending so much time working on these things that you can’t keep up a persona for that long.
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by Caroline Reagan
I wanted salvation without the fall; I wanted art to save me from life.
Art as Savior: Against Nature
I wanted salvation without the fall; I wanted art to save me from life.
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by Julia Conrad
Messina’s writing is bleak and tender and honest and is not trying to persuade me of anything, least of all that things will work out.
Maria Messina’s Feminine Flaw
Messina’s writing is bleak and tender and honest and is not trying to persuade me of anything, least of all that things will work out.
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by Ryan Chang
To ask whether the pornographic narrative style does anything (and to value it accordingly) is to buy into the promises of virtuous consumption. It is to believe that consuming a book somehow transforms aesthetic experience into social action.
Against Safe Sex: A Review of Kathleen J. Woods’s White Wedding
To ask whether the pornographic narrative style does anything (and to value it accordingly) is to buy into the promises of virtuous consumption. It is to believe that consuming a book somehow transforms aesthetic experience into social action.
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by Mahnaz Dar
Why is cynicism so seemingly tied to whiteness?
Daria Morgendorffer, Jodie Landon, and the Privilege of Cynicism
Why is cynicism so seemingly tied to whiteness?
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by The Editors
We’re excited to announce the 2022 Full Stop Editorial Fellows: Ching-In Chen and Gillian Joseph!
Announcing the Full Stop Editorial Fellows
We’re excited to announce the 2022 Full Stop Editorial Fellows: Ching-In Chen and Gillian Joseph!
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by The Editors
The year’s best books, as selected by the editors of Full Stop.
The 10 Best Books of 2022
The year’s best books, as selected by the editors of Full Stop.
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by The Editors
This episode includes an interview with Keely Shinners, as well as a sound experiment between Ansgar Allen and Mike Carrao.
Podcast #16 – Keely Shinners, Ansgar Allen, & Mike Corrao
This episode includes an interview with Keely Shinners, as well as a sound experiment between Ansgar Allen and Mike Carrao.
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by The Editors
Any money you donate to Full Stop today will go twice as far toward ensuring the future of independent literary criticism. There has never been a better time to donate.
Full Stop’s 2022 Whiting Matching Grant
Any money you donate to Full Stop today will go twice as far toward ensuring the future of independent literary criticism. There has never been a better time to donate.