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by Katie Hibner
OROGENY generates mountains; dynamite destroys them. The cycle is complete; the circle closes. Or perhaps not.
Orogeny – Irène Mathieu
OROGENY generates mountains; dynamite destroys them. The cycle is complete; the circle closes. Or perhaps not.
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by Catherine Nichols
The omniscient narrator is essentially supernatural, a source of information that has no real-world antecedent—in reality even divine revelations are not considered universally trustworthy.
Against Gettier Problems
The omniscient narrator is essentially supernatural, a source of information that has no real-world antecedent—in reality even divine revelations are not considered universally trustworthy.
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by Sean Bernard
ANGEL STATION is a seething novel of accumulation, fast, strange, and destructive.
Angel Station – Jáchym Topol
ANGEL STATION is a seething novel of accumulation, fast, strange, and destructive.
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by Daniel Green
Although Meidav’s writing is lucid and subtly evocative, it really makes no effort to be “lyrical” or “rhapsodic.”
The Kingdom of the Young – Edie Meidav
Although Meidav’s writing is lucid and subtly evocative, it really makes no effort to be “lyrical” or “rhapsodic.”
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by Katie Hibner
OROGENY generates mountains; dynamite destroys them. The cycle is complete; the circle closes. Or perhaps not.
Orogeny – Irène Mathieu
OROGENY generates mountains; dynamite destroys them. The cycle is complete; the circle closes. Or perhaps not.
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by Sean Bernard
ANGEL STATION is a seething novel of accumulation, fast, strange, and destructive.
Angel Station – Jáchym Topol
ANGEL STATION is a seething novel of accumulation, fast, strange, and destructive.
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by Daniel Green
Although Meidav’s writing is lucid and subtly evocative, it really makes no effort to be “lyrical” or “rhapsodic.”
The Kingdom of the Young – Edie Meidav
Although Meidav’s writing is lucid and subtly evocative, it really makes no effort to be “lyrical” or “rhapsodic.”
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by Subashini Navaratnam
The problem of girlhood cannot be adequately addressed within the form of literary realism.
Double Teenage – Joni Murphy
The problem of girlhood cannot be adequately addressed within the form of literary realism.
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w/ Devin Kelly
“I don’t think imitation is bad, like writing a poem in the style of a poet you admire, but it’s a lot more fun for me to engage them directly. I enjoy wearing my influences on my sleeves.”
Ariel Francisco
“I don’t think imitation is bad, like writing a poem in the style of a poet you admire, but it’s a lot more fun for me to engage them directly. I enjoy wearing my influences on my sleeves.”
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w/ Paul Morton
To be completely deprived of your freedom. That always has fascinated me.
Guy Delisle
To be completely deprived of your freedom. That always has fascinated me.
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w/ Chelsea Hogue
I don’t write just to see what’ll happen. I’m not interested in hippy art. I’m in conversation with certain things and I work to get all of those things into a unified place.
Jen George
I don’t write just to see what’ll happen. I’m not interested in hippy art. I’m in conversation with certain things and I work to get all of those things into a unified place.
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w/ Devin Kelly
“My hope is that we can dismantle and rebuild a community where we build each other up and support each other instead of trying to keep people/certain work out.”
Eloisa Amezcua
“My hope is that we can dismantle and rebuild a community where we build each other up and support each other instead of trying to keep people/certain work out.”
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by S.D. Chrostowska
A typology of the beggar in Western culture.
Begging for Utopia
A typology of the beggar in Western culture.
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by Daniel D. Clausen
The contradictions of nostalgic crafting.
The Anarchist in the Woodshop
The contradictions of nostalgic crafting.
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by Kyle Coma-Thompson
The grotesque humor of Ralph Eugene Meatyard’s photography.
The God of Things as They Aren’t
The grotesque humor of Ralph Eugene Meatyard’s photography.
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by Cypress Marrs
We sold ten-dollar juice to people who say, “fuck the rules” while, simultaneously, making the rules.
Cool as in Cold-Press
We sold ten-dollar juice to people who say, “fuck the rules” while, simultaneously, making the rules.
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by Catherine Nichols
The omniscient narrator is essentially supernatural, a source of information that has no real-world antecedent—in reality even divine revelations are not considered universally trustworthy.
Against Gettier Problems
The omniscient narrator is essentially supernatural, a source of information that has no real-world antecedent—in reality even divine revelations are not considered universally trustworthy.
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by Kaila Philo
To live is to wade through constant endings.
The Doomsday Diaries
To live is to wade through constant endings.
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by Vincent Scarpa
That this essay is published, that you are reading it, does not suggest that I have arrived at the right way to talk about Juliana Hatfield’s music, why it matters to me, and why that mattering might matter to you.
The Radical Audacity of Juliana Hatfield
That this essay is published, that you are reading it, does not suggest that I have arrived at the right way to talk about Juliana Hatfield’s music, why it matters to me, and why that mattering might matter to you.
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by Jonathan Murden
Just as angels mediate between humanity and God, announcing His will and drawing us to Him, technologies such as TV deliver messages and incorporate us into the circulatory flow of Western capital, disciplining our desires into the form of the consumer this order demands.
Angels in Indonesia
Just as angels mediate between humanity and God, announcing His will and drawing us to Him, technologies such as TV deliver messages and incorporate us into the circulatory flow of Western capital, disciplining our desires into the form of the consumer this order demands.
