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by Elisa Gabbert
My voice doesn’t sound like my voice to him.
From “The Inelegant Translation”
My voice doesn’t sound like my voice to him.
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by Eamonn Gallagher
[Tin House Books; 2018] Samantha Hunt wrote The Seas in 2004. It’s always a slight shock whenever this fact comes to mind while reading the book, which feels so 2018 (which is to say, it feels so 2016, the year zero of our current political situation) that it’s hard to imagine that anyone could have […]
The Seas – Samantha Hunt
[Tin House Books; 2018] Samantha Hunt wrote The Seas in 2004. It’s always a slight shock whenever this fact comes to mind while reading the book, which feels so 2018 (which is to say, it feels so 2016, the year zero of our current political situation) that it’s hard to imagine that anyone could have […]
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w/ Devin Kelly
In life, like love, or the shape of a story itself, time is fast and slow at once, compressed and expanded; it is never as simple or singular as a minute is long.
Jaclyn Gilbert
In life, like love, or the shape of a story itself, time is fast and slow at once, compressed and expanded; it is never as simple or singular as a minute is long.
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by Michael Schapira
The overdetermination of education as a moral endeavor is rife both within the profession and in public and political discourse.
A Marxist Education – Wayne Au
The overdetermination of education as a moral endeavor is rife both within the profession and in public and political discourse.
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by Eamonn Gallagher
[Tin House Books; 2018] Samantha Hunt wrote The Seas in 2004. It’s always a slight shock whenever this fact comes to mind while reading the book, which feels so 2018 (which is to say, it feels so 2016, the year zero of our current political situation) that it’s hard to imagine that anyone could have […]
The Seas – Samantha Hunt
[Tin House Books; 2018] Samantha Hunt wrote The Seas in 2004. It’s always a slight shock whenever this fact comes to mind while reading the book, which feels so 2018 (which is to say, it feels so 2016, the year zero of our current political situation) that it’s hard to imagine that anyone could have […]
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by Michael Schapira
The overdetermination of education as a moral endeavor is rife both within the profession and in public and political discourse.
A Marxist Education – Wayne Au
The overdetermination of education as a moral endeavor is rife both within the profession and in public and political discourse.
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by Lauren Friedlander
If a governess frolics and there is no elderly gentleman to witness it . . . ?
The Governesses – Anne Serre
If a governess frolics and there is no elderly gentleman to witness it . . . ?
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by Franziska Lamprecht
The reader will have to decide if it is ok to do the wrong thing for the right reason or the right thing for the wrong reason or the right thing for the right reason or the wrong thing for the wrong reason.
Ma Bo’le’s Second Life – Xiao Hong
The reader will have to decide if it is ok to do the wrong thing for the right reason or the right thing for the wrong reason or the right thing for the right reason or the wrong thing for the wrong reason.
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w/ Devin Kelly
In life, like love, or the shape of a story itself, time is fast and slow at once, compressed and expanded; it is never as simple or singular as a minute is long.
Jaclyn Gilbert
In life, like love, or the shape of a story itself, time is fast and slow at once, compressed and expanded; it is never as simple or singular as a minute is long.
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w/ Max Winter
I do sometimes feel that reading and writing is a way of preparing oneself [for death], as much as a person can be prepared.
Laura van den Berg
I do sometimes feel that reading and writing is a way of preparing oneself [for death], as much as a person can be prepared.
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w/ Michael Schapira
It’s fun to see people talk about revolution seriously, because they can’t imagine anything else anymore and it’s starting to enter the consciousness.
Malcolm Harris
It’s fun to see people talk about revolution seriously, because they can’t imagine anything else anymore and it’s starting to enter the consciousness.
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w/ Quinn Roberts
I think a novel is the very best creative form for showing what the passage of time can be like.
Dan Callahan
I think a novel is the very best creative form for showing what the passage of time can be like.
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by Josh Davidson
We were holding our seder in a Jerusalem that was very much part of chol, though also part of the holy—we were at the table, in my apartment, in the city of Jerusalem, it felt different than when we do the same thing in Cleveland. Yet, we still long each year, for the transcendent Jerusalem.
Graffiti In The Woods: Searching For Definitions of Jewish Space
We were holding our seder in a Jerusalem that was very much part of chol, though also part of the holy—we were at the table, in my apartment, in the city of Jerusalem, it felt different than when we do the same thing in Cleveland. Yet, we still long each year, for the transcendent Jerusalem.
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by Matthew Jakubowski
Garza’s boldest choice in the novel was to make her narrator the patriarchy. That is, his behavior is marked by secrecy, without intuition, his actions with women defined by received knowledge.
Turning Back: On Cristina Rivera Garza’s THE ILIAC CREST
Garza’s boldest choice in the novel was to make her narrator the patriarchy. That is, his behavior is marked by secrecy, without intuition, his actions with women defined by received knowledge.
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by Sam Rowe
Godwin’s conviction of the possibility of immortality, which only a few years ago might have seemed quixotic and a bit embarrassing, has come back into fashion.
Google, Godwin, & the Philosopher’s Stone
Godwin’s conviction of the possibility of immortality, which only a few years ago might have seemed quixotic and a bit embarrassing, has come back into fashion.
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by M. Lynx Qualey
Iraqi writers, by and large, have created worlds where the soldier’s perspective, either Iraqi or foreign, isn’t primary.
The American Soldier in Arab Novels
Iraqi writers, by and large, have created worlds where the soldier’s perspective, either Iraqi or foreign, isn’t primary.
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by Elisa Gabbert
My voice doesn’t sound like my voice to him.
From “The Inelegant Translation”
My voice doesn’t sound like my voice to him.
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by Jonathan Murden
Whereas the medievals associated the “combined object of scent” with the capacity for rational discernment—which implies a kind of restraint—Tony Kushner links it to a sense of excess via sexuality.
Toward a Theology of Noses
Whereas the medievals associated the “combined object of scent” with the capacity for rational discernment—which implies a kind of restraint—Tony Kushner links it to a sense of excess via sexuality.
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by Nicholas Rombes
Novels should have killed poetry. Television should have killed radio. Digital should have killed paper.
The Reality Industrial Complex
Novels should have killed poetry. Television should have killed radio. Digital should have killed paper.
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by Jonathan Murden
Is it possible that the usual (understandable) insistence that atheism is simply a product of experience or reason in some “pure” sense has led to a neglect of the shape of atheism as a tradition?
Other Atheisms
Is it possible that the usual (understandable) insistence that atheism is simply a product of experience or reason in some “pure” sense has led to a neglect of the shape of atheism as a tradition?
