-
by David Kirby
The world’s cabbies and their chroniclers know but two time periods, BTD and ATD.
The Last Taxi Driver – Lee Durkee
The world’s cabbies and their chroniclers know but two time periods, BTD and ATD.
-
by Cara McManus
In the cyborg fable, it’s not just the perpetrator who suffers at the end.
Little Eyes – Samanta Schweblin
In the cyborg fable, it’s not just the perpetrator who suffers at the end.
-
by Eric Jett
Our thoughts about the mind or our minds themselves? Popular science at the edge of meaning.
Zones of Darkness
Our thoughts about the mind or our minds themselves? Popular science at the edge of meaning.
-
by The Editors
Full Stop contributing editor Allison Noelle Conner talks with poet and conceptual artist Gabrielle Civil.
Podcast #10: Gabrielle Civil & Allison Noelle Conner
Full Stop contributing editor Allison Noelle Conner talks with poet and conceptual artist Gabrielle Civil.
-
by David Kirby
The world’s cabbies and their chroniclers know but two time periods, BTD and ATD.
The Last Taxi Driver – Lee Durkee
The world’s cabbies and their chroniclers know but two time periods, BTD and ATD.
-
by Cara McManus
In the cyborg fable, it’s not just the perpetrator who suffers at the end.
Little Eyes – Samanta Schweblin
In the cyborg fable, it’s not just the perpetrator who suffers at the end.
-
by Mukund Belliappa
The modern novel feeds almost entirely on free will — a compelling demonstration of the full and rebellious exercise of which, if we are to agree with (among others) Camus, is what separates the literary novel from myth, legend, parable, and genre writing.
The City of Good Death – Priyanka Champaneri
The modern novel feeds almost entirely on free will — a compelling demonstration of the full and rebellious exercise of which, if we are to agree with (among others) Camus, is what separates the literary novel from myth, legend, parable, and genre writing.
-
by Kyle Williams
Nathalie Leger’s triptych is a balletic interpretation over the line between fiction and criticism.
Exposition / The White Dress – Nathalie Léger
Nathalie Leger’s triptych is a balletic interpretation over the line between fiction and criticism.
-
w/ Samuel Gold
Sometimes the work of a given story is to trace the contours of a question or a problem, and the story ends the moment the question snaps into focus or the problem reveals itself. That’s very different from trying to answer the question or solve the problem.
Justin Taylor
Sometimes the work of a given story is to trace the contours of a question or a problem, and the story ends the moment the question snaps into focus or the problem reveals itself. That’s very different from trying to answer the question or solve the problem.
-
w/ Kyle Williams
“Even more than I ever wanted to write a book, I wanted to have health insurance.”
Megan Cummins
“Even more than I ever wanted to write a book, I wanted to have health insurance.”
-
w/ Jed Munson
But we are hopefully past the stage where the Anglophone world is only willing to provide space for three, four “big” writers per country/language at a time.
David Karashima
But we are hopefully past the stage where the Anglophone world is only willing to provide space for three, four “big” writers per country/language at a time.
-
w/ Caryl Pagel
I sought out ways to capture the feeling of euphoria surrounded by pain; how memories worm themselves into everything.
Kevin Latimer
I sought out ways to capture the feeling of euphoria surrounded by pain; how memories worm themselves into everything.
-
by Eric Jett
Our thoughts about the mind or our minds themselves? Popular science at the edge of meaning.
Zones of Darkness
Our thoughts about the mind or our minds themselves? Popular science at the edge of meaning.
-
by Peter Myers
Will poetry save us from our present circumstance of hell? Of course not. Yet it feels like it will, which is why, despite knowing better, poets persist in writing it.
On Dwelling: Poets and the Academy
Will poetry save us from our present circumstance of hell? Of course not. Yet it feels like it will, which is why, despite knowing better, poets persist in writing it.
-
by Erik Noonan
Heim holds fast to the clarity and blur of spacetime in the imagination, and she describes one dimension in terms of another, à la the Theory of Relativity
Whose Words Are Ours: Stefania Heim’s Theoretical Feminine Poetics of Terror
Heim holds fast to the clarity and blur of spacetime in the imagination, and she describes one dimension in terms of another, à la the Theory of Relativity
-
by Lizzie Tribone
Literary modernism and new accommodation in interwar London have twinned histories.
What did A Room Of One’s Own really mean to modernist women?
Literary modernism and new accommodation in interwar London have twinned histories.
-
by The Editors
Full Stop contributing editor Allison Noelle Conner talks with poet and conceptual artist Gabrielle Civil.
Podcast #10: Gabrielle Civil & Allison Noelle Conner
Full Stop contributing editor Allison Noelle Conner talks with poet and conceptual artist Gabrielle Civil.
-
by Alana Mohamed
What if an immigrant got tired?
What if an immigrant was lazy?
I think that’s when they send a federal agent to your local masjid.
What if we all lay down and everything was fine and no one died?
What if an immigrant got tired?
What if an immigrant was lazy?
I think that’s when they send a federal agent to your local masjid.
-
by Robert Yang
In 2015, a phone video of young muscular White British men hitting each other with a chair went viral…
Hard Lads as an Important Failure
In 2015, a phone video of young muscular White British men hitting each other with a chair went viral…
-
by The Editors
This issue of the Full Stop Reviews Supplement is about exploring some of the infrastructures of reading.
The Full Stop Reviews Supplement #6
This issue of the Full Stop Reviews Supplement is about exploring some of the infrastructures of reading.