I don’t worry whether or not my writing is innovative or experimental. I only want to be on that bookshelf, the one that’s off limits, that requires special permission to access, that has to be found and sought after from a queer distance.
The River at Night – Kevin Huizenga
At a time when history-altering acts take on an almost mundane insignificance, comics artist Kevin Huizenga’s THE RIVER AT NIGHT makes thought, banal and half-remembered quotidian thought, a moving drama of consciousness.
When the Whales Leave – Yuri Rytkheu
In this light, Chavasse’s translation is but one echo within a cavernous history, itself but a momentary iteration on its way to another.
Difficult Light – Tomás González
I remember my intuitive reluctance to use the word “deadline,” when I learned the word in English, it sounded hostile when someone told me for the first time: “You need to meet this deadline.” To get killed, I wondered?
Beyond the Periphery of the Skin – Silvia Federici
Silvia Federici’s BEYOND THE PERIPHERY OF THE SKIN is a baffling work that slides from the academically indefensible to the ethically dubious with remarkable facility.
Lethal Theater – Susannah Nevison
An exploration of capital punishment and the prison system in America, how incarceration is turned into a spectacle at the expense of the humans who are trying to make that of that system a grim home.
You Darling Thing – Monica Ferrell
As I reread the poems in Ferrell’s YOU DARLING THING in this unprecedented moment, I see her lines anew, perhaps as they have always been
MINOR DETAIL itself is an act of subversion because it represents history told on Palestinian terms, through a Palestinian voice.
Artificial Gut Feeling – Anna Zett
Digital systems are not just tools or extensions of our brains, but they are parodies of us, our goals, beliefs, dreams, passions, and cognitions.
OLDER BROTHER itself attests to grief’s power as a catalyst for creativity.