An Object of Beauty – Steve Martin
“The strength of Martin’s book is its perceptive, sharp-witted, and at times deeply dark observation of the for-profit side of the New York art world. It’s clear that this was what Martin was really setting out to accomplish, but what is murkier is how he feels about it.”
You Know When The Men Are Gone – Siobhan Fallon
“With a deft feel for characterization and pacing, Fallon’s tales carve out a subtle lesson on the psychological impacts of war, even — or especially — as experienced from halfway around the world.”
“Baxter’s terminally displaced protagonists explore, with an unabashed seriousness — one at turns childlike and insane — our desire for love.”
Walled States, Waning Sovereignty – Wendy Brown
“Wendy Brown chooses to focus on the increasingly familiar phenomenon of erecting physical barriers – both at the edges of sovereign territories and within – in an age of globalization that in its most utopian moments promises to make such barriers obsolete.”
“Inio Asano’s Solanin doesn’t break the mold, but it offers something that not a lot of adulthood-sucks stories do: an earnest expression of what it feels like to be an aimless twentysomething, told with a rare maturity and self-awareness.”
Abstract Comics – ed. Andrei Molotiu
“Abstraction of form is a given in comics. Clouds are thoughts, sticks are people, and capes are cool.”
“As a novel it makes concrete the difficulties and joys of reading, of telling stories, and of being told.”
“The humor and generosity of the book are its strength, if only because at its core is a sense of great loss.”
If You’re Not Yet Like Me – Edan Lepucki
“Lepucki does not attempt to stretch Joellyn beyond her limits, to sacrifice the character for the sake of a lesson, a novel, or a heartwarming conclusion.”
We’re Getting On – James Kaelan
“The idea is to arrive at nothing, to ‘get on’ to a basic state of nature.”