Río Muerto – Ricardo Silva Romero
This choice—to speak or remain silent—is the hinge upon which Silva Romero’s RÍO MUERTO turns
When The Horses – Mary Helen Callier
In this collection, light is less revealing than it is blinding, distortive and receding.
The Arcana of Reproduction: Housewives, Prostitutes, Workers and Capital – Leopoldina Fortunati
In addition to being rigorous, Fortunati’s text is ruthless, stripping away every plank of Marx’s platform to show the underside of labor, the women’s work that wasn’t worth his noting.
Shelby Hinte’s debut novel HOWLING WOMEN investigates curiosity over blame, looking at the story beneath action.
All Ben possesses is a “raw, empty want” and his own unemployed self. Inside this absence, TRUE FAILURE’s antics begin to populate.
An Incomplete Catalog of Disappearance – Diana Oropeza
Oropeza coaxes you to lean in closer, embrace the precarity of invisibility, death, and all other forms of disappearance
Book of Potions – Lauren K. Watel
BOOK OF POTIONS begins by defining a new literary form: “potion = poem + fiction.”
Literature, as Lefebvre reads it, cannot be reduced to language, or genre, or nation—fluidity is more productive, more generous, more expansive.
Todos Los Caminos Llevan a Casa – Luis J. Rodríguez
TODOS LOS CAMINOS bridges two important language communities and invites them to find each other through poetry.
A Perfect Day to Be Alone – Nanae Aoyama
Personal relationships are as shaped by class as they are by anything else, though we sometimes willfully forget this.