by Imogen Osborne

When The Horses – Mary Helen Callier

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In this collection, light is less revealing than it is blinding, distortive and receding.

Glass Jaw – Raisa Tolchinsky

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In Raisa Tolchinsky’s take on Dante’s INFERNO, we are ushered into hell not by Virgil but by a chorus of female boxers.

Coriolis – A.D. Lauren-Abunassar

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Formally speaking, these are poems wearing one another as cloaks. They are not fixed in place, but instead carry their histories and seem to remain in process.