WHITEWALLING: ART, RACE, & PROTEST IN 3 ACTS exposes systems that perpetuate racial oppression in the art world and pricks a bubble of white-centered consciousness with a clear message about complicity.
More than a sport, MMA is a hyperbolic spectacle that echoes and validates its viewers’ faith in old-fashioned notions of truth and realism.
The dust jacket claims that Radical Sacrifice “distils the essence of Eagleton’s later thought,” but at the outset it seems like that later thought is stuck in an era now long past.
[Shaun Scott] uses the book as an occasion to decenter and problematize the mainstream cultural idea of the American Millennial as any middle- or upper-class white twenty-something with a liberal arts degree trying to make it as, say, a voice of a generation.
These are ontological and epistemological accounts challenging the kind of Cartesian dualism and anthropocentric thinking Ghosh points to as giving rise to modernity’s deranged, novelistic view of our world.