Books in Translation

Season of the Swamp – Yuri Herrera

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Herrera’s novel conjures the past from its hiding spot in plain sight. What appears absent is in fact there, somewhere—only it requires the work of a skilled author to coax it to life.

From Savagery – Alejandra Banca

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FROM SAVAGERY, the debut work of fiction by Alejandra Banca, beautifully translated by Katie Brown . . . gives a voice to a new generation of Venezuelan migrants creating life abroad.

Spatriati – Mario Desiati

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Here, [Michael F. Moore] lends his English to Francesco’s angst and Claudia’s rebellion with the compassion of a parent who wants to support you without you knowing it, hiding in the bleachers at the JV soccer game with a silent smile.

Grandma Non-Oui – Lidija Dimkovska

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Lidija Dimkovska’s new novel . . . explores how history mirrors human life itself: complex, recursive, non-linear, and defiantly inconclusive.

Underground Barbie – Maša Kolanović

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For a novel set during debilitating times, UNDERGROUND BARBIE is frequently quite funny. The seriousness is masterfully cut, and paradoxically intensified, by the antics of the children and the scenarios they dream up.

The Summer Without You – Petar Andonovski

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Despite its setting on the sun-soaked coast of Crete, THE SUMMER WITHOUT YOU shivers with the cold reckonings of disillusionment and adulthood

What Kingdom – Fine Gråbøl

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With her steady, precise attention to everyday life on this sad, cozy ward, Gråbøl gently troubles our received ideas about healing.

Saturnin – Zdeněk Jirotka

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Saturnin wants his master to be an adventurer, but he doesn’t merely plan or dream: He acts on his fantasies, creating situations that force his master out of his banal existence and into the unexpected.

The Propagandist – Cécile Desprairies

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Desprairies challenges the reader to inhabit a morally fraught protagonist. Why would someone collaborate with Nazis, the novel asks. Who would do such a thing?

Years and Years – Hwang Jungeun

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Sejin and Yeongjin seem to be aware of the pitfalls of their mother’s refusal to speak of her past . . . but they ultimately do the same themselves. The three women take silence as a given, assuming that speaking would only lead to more harm.