As an audience, we simultaneously see a couple completely absorbed in each other’s being, a whirling crowd casting judgment, and a young woman’s heart breaking. We see a coming together, then a ripping apart.
He hid in dark alleyways and revealed his ass to women walking by. “What they saw was not the obscene thing, I never even thought of that, it was the ridiculous thing,” he wrote.
And so, for at least a few weeks this Christmas season, I refuse to apologize for my lack of cultural discernment. I will read shitty books, watch shitty movies, and refuse to apologize for my non-shitty love of musical theatre.
The discourse that has surrounded Homeland, Argo, and now Zero Dark Thirty reveals that if we don’t care much about what we’re actually doing in the Middle East, we care very deeply indeed about possessing the moral high ground when it comes to discussing it.
The stories that speak to us most are those that reflect our own reality. And that, I believe, is where our current fascination with doomsday or the apocalypse comes from: a (possibly subconscious) awareness our own reality.
We like glitch because it’s a little bit messed up, just like us. It’s taking the parts that we might consider mistakes or flaws and illuminating them and saying, hey, this is beautiful.