Conquistadors noted that the Aztec capital – with these verdant gardens rolling into the royal city of pyramids and palaces – was more breathtaking than any in Europe. Then they leveled most of the pyramids and filled in most of the canals.
Yet another tired page in a growing collection of articles that are inexplicably obsessed with the apparent demise of middle-class, heterosexual romance and the endless perils of being a millennial twenty-something.
Hoffman’s biographical passages, expert arrangement of Joseph Roth’s correspondence, and crisp footnotes yield a full arc of synchronised decay — the social fabric of Europe, Roth’s career, and his worldview — all in unison.
O’Connor mentioned this self-portrait in letters to friends, enclosed copies of it to pen pals she had never met, and begged publishers to include it on book jackets. According to O’Connor’s wry reports, it was not well-received, so what could explain her fixation on the painting?
In a world where most cultural biproducts from the nineties are revered for being so bad they’re good, I’m shocked at Swans’ relatively absent cult following. Where are the VHS trading posts? Where is the fan fiction? Why aren’t more people reminiscing the crap out of this awful show?