There are two broader themes mutually shared between all exhibited artwork: first, the melancholic loneliness of landscape, and second, the duality of heavenly elements in a hellish milieu or, conversely, the demonic details in a heavenly environment.
The “recluse” artist is an endangered species, but there’s still one artist keeping the idea of the private public figure alive: Bill Watterson, writer and illustrator of Calvin and Hobbes.
I’d like to argue, though, that there is more here than just a seasonal shift — that a more cosmic confluence exists between Passover, Easter, and baseball that enriches and enlivens why so many of us love so dearly this age-old American pastime. Here, I want to turn to Jacques Barzun.
Between the “legalese,” the adversarial nature of proceedings, and the physical divisions of the courtroom, it comes as no surprise these spaces feel increasingly unapproachable to the general public.
Emo’s had seen Austin, buoyed by SXSW, come into itself as the live musical capital of the world. And then it watched as the city outgrew itself.
Pot legalization certainly stands out in a lineup of states’ rights causes that also includes slavery and school segregation, but it’s still just part of a conservative tradition of undermining federal authority.
Today we introduce guest correspondent Roanne Kantor. Roanne writes to us from Bihar, India, where she is assisting her husband, Hayden Kantor, with his anthropological field research.