Did we forget that other women were fighting for the rights we acquired, and that we must also fight for those who have not yet obtained them? Did our well of solidarity run dry?
This issue of the Full Stop Quarterly is concerned with the processes and systems that make up and facilitate writing and reading, and in particular with poetry, the perpetual avant-garde.
The omniscient narrator is essentially supernatural, a source of information that has no real-world antecedent—in reality even divine revelations are not considered universally trustworthy.
That this essay is published, that you are reading it, does not suggest that I have arrived at the right way to talk about Juliana Hatfield’s music, why it matters to me, and why that mattering might matter to you.
Just as angels mediate between humanity and God, announcing His will and drawing us to Him, technologies such as TV deliver messages and incorporate us into the circulatory flow of Western capital, disciplining our desires into the form of the consumer this order demands.