by Silvia Mollicchi

While reading “Sea Unicorns and Land Unicorns”

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The doubled reality of one Marianne Moore poem

Roger Shawyer’s EmDrive

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A plethora of images that fiction has already implanted in our memories would no longer be just images: from earth-based private flying vehicles to cheap interplanetary human transport.

Julius Neubronner’s Photographer Pigeons

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Freedom of natural flight, fetish of the unknown.

Vannevar Bush’s Automatic Microtome

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There is no way to know, but perhaps Vannevar’s vision by slicing could have taken different forms in the contemporary age. I cannot stop thinking about this slicing-as-vision in parallel with contemporary means of control.

Cover – Peter Mendelsund

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Belonging to a coffee table has never equalled a doomed lack of quality or depth.

Food Chain – Slava Mogutin

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The main pitfall of the book is very similar to the main problem porno generally has: after a while, it becomes predictable and boring.

Parties I Have Heard… Of

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I have recently realized that if I had to choose one and one-only sentence to encapsulate my personality, it would be: “a person for whom dancing parties are a matter of the utmost importance.”

Making Things Feel Real

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Fourteen ships from around the world anchored in the deepest part of the Suez Canal and simply waited there. For eight years.

Unsteady Footing in an Unsettled Map

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In those gaps the whistle of a rustling ‘s’ comes through, a vowel remains too open, or not open enough, a sound is distorted, ‘gh’ and ‘f’ and then ‘i’ and ‘y’ get all mixed up.