by Josh Vigil

Meter-Wide Button – Lillian Paige Walton

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Walton joins the ranks of other contemporary writers toying with surrealism, turning it anew.

Nudes – Elle Nash

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Ultimately, Nash has created a spiny and sobering arrangement of characters outside the urban landscape prioritized in contemporary literature, which is refreshing in itself.

Valentino and Sagittarius – Natalia Ginzburg

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Her novellas are containers for the cruelest of ironies, and the results are two morality tales, pushed nearly to the limits of realism.

The Superrationals – Stephanie LaCava

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It is a novel about everything leading up to the shake-up, to the precise moment of becoming changed, of becoming unmoored.

Skyland – Andrew Durbin

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Skyland is most preoccupied with this very relationship, the one between fiction and reality, or autobiography, and how this relationship is fraught, one streaked by slippage.

Machines In The Head – Anna Kavan

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Her stories feel prescient today; they capture the madness and degradation of isolation and living in a ravaged world.

Cleanness – Garth Greenwell

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CLEANNESS, at its core, is an examination of the sticky and inextricable pairing of masculinity and violence.

I Used to Be Charming – Eve Babitz

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Babitz has not lost her caustic, self-deprecating, and observational humor. But does it still work? Or, rather, is it what we need?

Sleeveless – Natasha Stagg

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A nod to communism doesn’t make fashion political, it makes it nothing more than collage.

Exquisite Mariposa – Fiona Alison Duncan

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Its first bites taste like mainstream contemporary fiction; they go down easy, like candy, or like a Sally Rooney novel. But as you continue to chew — because this novel is chewy — you encounter something quite different.