by Joe Sacksteder

The Sanctuary – Gustavo Eduardo Abrevaya

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Álvaro, an Argentinian indie filmmaker traveling to a cabin in the south of his country to finish writing a screenplay . . . simply can’t shut off his attempts to turn every real-life event into a plot point.

Ecstatic Truth in the Age of American “Truthiness”: On Werner Herzog’s The Twilight World

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The triangulation of the novel and “fake news” and Werner Herzog’s whole deal signals discomfiting connections between the United States’ current flirtations with authoritarianism and certain notions of artistic freedom.

Lethal Theater – Susannah Nevison

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An exploration of capital punishment and the prison system in America, how incarceration is turned into a spectacle at the expense of the humans who are trying to make that of that system a grim home.

Love Drones – Noam Dorr

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LOVE DRONES makes us reconsider what we take for granted and reveals new networks of communication — geopolitical, emotional, and aesthetic.